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While exploring the neighboring woods, 13-year-old John discovers an unfinished bunker — a deep hole in the ground. Seemingly without provocation, he drugs his affluent parents and older sister and drags their unconscious bodies into the bunker, where he holds them captive. As they anxiously wait for John to free them from the hole, the boy returns home, where he can finally do what he wants.
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“John and the Hole” has a maddening ambiguity that seems a whole lot like lazy storytelling rather than a well thought out narrative. Director Pascual Sisto‘s unsettling story of a 13-year-old who drugs his family and dumps them in an unfinished bunker in the woods is a nightmare tale of young teenage angst, and the film’s imperfections are partially what make it so interesting. John (Charlie Shotwell, in a chilling performance) is a very strange kid. To the casual observer, it looks like the boy has a nice life. Loving parents (Jennifer Ehle, Michael C. Hall), a kindhearted older sister (Taissa Farmiga), and a beautiful home with everything he could possibly want or ever need. John looks and acts depressed, but his concerned family is always wondering and asking him why. Out of the blue one night, John feeds everyone sleeping pills and drags them to a giant hole, leaving them captive for days. He visits a couple of times to bring them food and water, but after enjoying the freedom of living at home alone and being the sole one in charge, he begins to neglect his starving prisoners in favor of playing house. It’s a messed up idea for a movie, but the premise is well-suited for this
Read the whole review on TMDBIf you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com This edition of Sundance has already delivered a few ambiguous, atmospheric films (Human Factors, In The Earth), but none has surprised or impacted me in a positive way so far. John and the Hole comes close to get a good reaction from me, but it also holds another massive bunker filled with way too many open questions. It’s always challenging to review a movie with an underlying, vague story that I don’t fully understand. In all honesty, there’s an entire storyline I’m either just scratching the surface of something greater, or it’s indeed an underwhelming, insignificant part of the screenplay. Since I can’t put my finger on what it’s truly about, I’m going to ignore it for now and come back later in a second viewing. Nevertheless, almost the whole film deals with something (apparently) separated from the subplot above. This is where the movie fails to deliver a more captivating narrative. Nicolás Giacobone’s screenplay is packed with intriguing premises and setups, but its respective developments and outcomes are far from extraordinary or surprising. Throughout the entire runtime, I’m
Read the whole review on TMDBI started watching this film ,I thought it was going to be good and interesting , but I had the keep fast forwarding it ,the end was a bit wierd they never asked him why he did it , overall was crap ! ! ,
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