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Adventure, Action, Thriller 142 min PG
Far up! Far out! Far more! James Bond 007 is back!
With the help of Marc-Ange Draco, head of the Unione Corse crime syndicate, and Draco's troubled daughter Tracy, James Bond tracks his archnemesis, Ernst Stravro Blofeld, to a mountaintop retreat in the Swiss Alps, where he is training an army of beautiful, lethal women.
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Epic, resolved, contemplative and plot-driven.
17 profiled raters. Loved most by The Prestige Hunters; disliked most by The Prestige Hunters.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
This was the worst Bond movie of the early era. It has nothing to do with Lazenby being Bond. It's just that it was written to be just a depressing piece of trash for the Hollywood formula of the late sixties than went into the eighties. There is little scenery, little action, little to see of the bad guys. Bond is pretty much on his own in a "spy movie" instead of a "Bond movie". Bond is in a complex in a mountain surrounded by snow. If this wasn't the lowest budget ever for a Bond movie, someone was robbed. It is written with "hate", which was the standard of the late sixties through the eighties. As someone born in 1956, this was about all I was exposed to in art, film, TV, theater, religion, everywhere. It was the Hollywood formula, and to see anything else, you literally had to sneak off while everyone else was asleep and see something "not depressing" on your own. There's just too much of this hate in Art. It isn't Art. It's trash. It's also boring.
Read the whole review on TMDBOHMSS, the Bond that everyone forgot.... and it's really a shame. It was also made in 1969 and I hate having to press the spoilers button... so the review is going to be hard and... really? It came out in 69, everyone had a chance to see it already... but whatever. Lazenby, had he continued, could have carried on the Connery Era Bond into the 70s. He still had a few Moore Era tropes, a joke or two that was clearly very Roger Moore, but his delivery, his persona, his very being were far more Connery and the cold blooded assassin would have continued, with only a momentary glimpse of heart that, we know, hardened him in some ways. It certainly sets a gold standard among 007 films and lays out some VERY important background that disproves the new "James Bond is only a title and not one person" argument that some people are making in order to rewrite the character entirely. Background that is revisited in Dalton's Era, thus cementing 007 as one person. Connery is not 007 anymore (and they address it in a 4th wall breaking joke from the start) but his persona lives on in OHMSS. This is probably the last of the Classic Connery Era Bonds, discounted because Lazenby is in the title role. B
Read the whole review on TMDB**Despite receiving disappointing reviews, OHMSS takes the franchise into new territory and is essential viewing for any true Bond fan.** On Her Majesty’s Secret Service doesn’t tend to get the same love as many of the older Bond films, and that’s a shame because it boasts some significant firsts for the Bond franchise, some striking set pieces, and bold choices. Some of the friction faced by OHMSS is due to this being the first time James Bond was officially played by someone other than Sean Connery. George Lazenby played the part well but did little to make the character his own other than maybe being a little cheesier. But that wasn’t the only first in this film. James Bond fell in love and got married for the first time, broke the fourth wall for the first time, and faced a villain who escaped him from a previous film for the first time. OHMSS broke a lot of ground and had one of the best climactic finale battles of the early Bond films. And to top it all off, it’s technically a Christmas movie!
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Is George Lazenby miscast as James Bond?”
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If you loved this film, the television, the book, the music, the game.
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