Twelve kinds of taste
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Drama, Music 141 min R
Rotten Tomatoes81%Metacritic70IMDb
The ballad of a true original.
New York, early 1960s. Against the backdrop of a vibrant music scene and tumultuous cultural upheaval, an enigmatic 19-year-old from Minnesota arrives in the West Village with his guitar and revolutionary talent, destined to change the course of American music.
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Nostalgic, contemplative, classical in form and grave.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
I wanted to see it in the theater, but on the way there I realized that I don't smoke enough pot to like more than a couple of his songs and one of them I liked better when Jimi did it anyway, so my wife and I went on a bike ride instead and I waited until it hit Hulu. The thing about it is, despite not liking his music, I do like the music from his era a hell of a lot, and the trivia, and even the conspiracies around them that I only sometimes believe... no, it's 2025, I don't know what to believe... but I know enough about Bob to be dangerous and that sort of means I know enough about him to be irritated on it's total lack of accuracy. I'm pretty sure AI wrote the bulk of the script. It's not that he wasn't iconic, I get that he was, I even understand why people like him, and Rod Stewart, I even like the occasional singer that is constantly off key, that wasn't the problem. The problem was that it wasn't a movie about Bob. It felt more like AI looking at Ray, Bohemian Rhapsody, Walk the Line, La Bamba, Great Balls of Fire, the biopics of famous musicians, combined it with Almost Famous, and then generated a generic script based on what AI thought his life story should be based of
Read the whole review on TMDB<em>'A Complete Unknown'</em> is a biopic worth watching. I only know of Bob Dylan by name and possibly some vague recognition of a few of his songs, as is usual for me it seems; uncultured swine. Therefore, I was only coming into this to see how it came out as a film - it's very good! Timothée Chalamet's portrayal is impressive for the large majority, I will say his schtick comes across as a little forced in one or two parts (only one or two) and I also had difficulty totally understanding him in a few moments (only a few). Edward Norton is good too, I thought he'd feature more; if only because I saw him on the promo trail with Chalamet a lot. Elle Fanning and Monica Barbaro offer noteworthy performances, everyone on the cast is perfectly fine to be fair. The music seems well done to me, again I'm not someone who definitively knows Dylan's work but it felt well shown. It's possibly too prevalent, which is a weird thing to say about a musician biopic but there's a lot of music in this. The end at the festival is the scene that I'll remember most from this, the sound design is particularly excellent; was practically bouncing in my seat due to the noise. If I was to mention any negat
Read the whole review on TMDBTribute biographies have become an increasingly popular film genre in recent years, though, truthfully, they’re not all of the same caliber. Content and authenticity play significant roles in their overall quality, but, as experience has shown, these traits can vary widely, depending on the picture. As for writer-director James Mangold’s homage to musician-folk singer-songwriter Bob Dylan (Oscar nominee Timothée Chalamet), the film presents viewers with a mixed bag on these fronts. While this effort seems to mostly get things right in matters of authenticity, it comes up somewhat short on content, despite its protracted 2:21:00 runtime, what should amount to sufficient duration to nail down the most crucial cinematic particulars. “A Complete Unknown” follows Dylan from his arrival in New York in 1961, where he quickly became the latest sensation on the Greenwich Village folk music scene, through his rise to stardom as an emerging music industry icon and culminating in his controversial performance at the 1965 Newport Folk Festival, where he traded in his acoustic guitar for an electric model, a switch met with mixed reactions but that launched him in innovative new directions music
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“Is Timothée Chalamet miscast as Bob Dylan?”
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“Does it take too many liberties with the true story?”
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“Is the nostalgia doing the heavy lifting?”
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