Twelve kinds of taste
Which one are you?
Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.
Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.
Drama, Science Fiction, Adventure 146 min PG-13
Rotten Tomatoes76%Metacritic65IMDb
David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Sign in to log this.
Contemplative, open-ended, overwhelming and bleak.
No reviews yet. Yours would be the first word on it.
Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
The coincidence of the release year matching 2001: A Space Odyssey feels almost too on-the-nose, especially given that this was originally Stanley Kubrick's project before his death, eventually passed to Steven Spielberg. One wonders if Kubrick would have brought the clarity of vision that this film desperately needed. The screenplay wanders terribly, unable to decide what it wants to be or say. Is this a meditation on what it means to be human? A cautionary tale about creating beings capable of love we cannot return? A Pinocchio story? A post-apocalyptic fable? The film tries to be all of these at once and commits to none of them, meandering through tonal shifts and narrative detours without ever finding its center. It's quite possibly the worst Spielberg narrative I've encountered; he seems unsure whether to honor Kubrick's darker instincts or impose his own sentimentality, and the result splits the difference in the most unsatisfying way. What saves the film from complete failure is Haley Joel Osment. Fresh off "I see dead people," Osment brings the same uncanny intensity to David, the cyber boy programmed to love. He's extraordinary, conveying both the artificiality of his prog
Read the whole review on TMDBWith their son "Martin" supposedly out for the count, "Henry" (Sam Robards) procures a solution for his wife "Monica" (Frances O'Connor) in the form of "David" (Haley Joel Osment). He is a state of the art android. Not robotic in function like previous models, but an adaptive model that can learn to love, to feel, to be... Initially very apprehensive, she gradually bonds with the curious and friendly young man just as readily as dad "Henry" starts not to. Then, re-enter "Martin" (Jake Thomas) who turns out to be a rather malevolent and jealous lad who, with his fellow human friends, contrives a scenario that results in "David" becoming abandoned with only his talking "Teddy" for company. Now "David" had learned of the famous "Blue Fairy" who could turn him into a real boy, so convinced that his mother would love him again, sets out to track it down at the end of the Earth. His adventures along the way are perilous, he meets some salvage hunters with an almost circus-like approach to recycling before alighting on "Gigolo Joe" (Jude Law). His name says it all, his job being to "pleasure" women who want something that bit special. The two share his quest as the latter is pursued by th
Read the whole review on TMDBI bought this on DVD many years ago, convinced I had never seen it. I finally got around to watching it, and it wasn’t until I reached the robot demolition circus (words I bet I have never seen in the same sentence before) that I realized I had watched this movie before. That is a memorable sequence. In many respects I thought the movie was well made: the special effects, the deep thinking behind the plot, and the writing was mostly good. It almost felt like it was covering too much ground, and I felt there were a few lapses. I will mention only one, and try not to give anything away. There is a pivotal scene where John Hurt’s character is with the AI child David. It took a lot of effort to get David there, so what does the guy do/ he leaves David alone and unchaperoned. And the end of the movie turns on that. Why would he wander off like that except to serve the plot? Still, the film, mirroring and projecting the story of Pinocchio into the future, was quite an achievement. I liked it, but not as much as a lot of other Spielberg efforts.
Read the whole review on TMDBChecking availability…
Companions we picked from the closest works, and how to take them.
Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is this Steven Spielberg's best work?”
Sign in to answer.
Be the first to answer.
“Is A.I. Artificial Intelligence too earnest?”
Sign in to answer.
Be the first to answer.
“Does the ending land?”
Sign in to answer.
Be the first to answer.
56 profiled raters. Loved most by The Prestige Hunters; disliked most by The Formalists.
If you loved this film, the television, the book, the music, the game.
| Stream | |
|---|---|
| Free | |
| Rent | |
| Buy |
US availability, powered by JustWatch via TMDB. Each chip opens that service’s search for the title. Other regions on JustWatch
