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Drama, Horror 107 min PG
Rotten Tomatoes93%Metacritic79IMDb
It is fear and fun. It is a scream of horror and a cry of delight. It is Nosferatu, the Vampyre.
A real estate agent leaves behind his beautiful wife to go to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar.
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Nostalgic, contemplative, bleak and prestige.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
The visuals in Werner Herzog's "Nosferatu the Vampyre" are luscious, hauntingly beautiful in ways that make you wonder: where did Herzog find these set pieces? The plague-ridden streets, the Gothic architecture, the rats flooding through medieval towns—it all feels discovered rather than constructed. This is Herzog's trademark style at its finest. You never feel like you're watching a movie. Instead, you're observing a documentary about a particular vampire, as though this is simply everyday experience captured on film. Klaus Kinski's interpretation is 180 degrees from Bram Stoker's Dracula. He plays the count not as aristocratic predator but as a pathetic, misunderstood child: lonely, cursed, suffering his immortality. It's a brilliant tack for any actor to find this in the vampire character, transforming the monster into something tragic and almost pitiable. Herzog famously said the 11,000 rats used in filming were better behaved than Kinski, which tells you everything about their volatile collaboration. What makes this version particularly resonant is how clearly it functions as metaphor for The Plague, or any pandemic. Dracula isn't evil; he's a vector, a non-judgmental, non-in
Read the whole review on TMDB"Harker" (Bruno Ganz) travels to remote Transylvania where he is to help "Count Dracula" (Klaus Kinski) buy a new home in his hometown of Wismar. Why? Well that's because he has fallen in love with a photograph of his beautiful wife "Lucy" (Isabelle Adjani) and has determined to make her his immortal bride. "Harker" had been warned by the locals of the dangers of visiting the "Count" but he pressed on regardless, so ought not to have been surprised when his host absconds from his castle on a schooner laden with coffins, soil and a deadly plague of rats so he can ensnare his innocent young wife. Can he race back home in time to thwart this evil? There's nothing especially new about the chronology of the story here, it's the characterisation of the vampire that helps this stand out. It's obvious from the start that "Dracula" is not of human kind. Contrasting with most interpretations of the title role, Kinski and Warner Herzog attempt to imbue "Dracula" with a degree of humanity. He doles out his lusts left, right and centre upon the innocent, spreading plague and disaster wherever he goes, but he too is cursed. By his own immortality, by his search for some kind of fulfilment or con
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