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The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
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Epic, plot-driven, richly built and overwhelming.

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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
The Matrix I loved. The Matrix Reloaded I liked AND used it to teach... seriously. The Matrix Revolutions just stank. Seriously, it was really bad. Reloaded was kind of heavy handed on the philosophy... but it still had enough stylized action to compensate for characters who were so transparent representations of religious philosophies they were as vapid as steam. Revolutions kind of abandons the conflict of philosophies, doubles down on one and then.... it commits the BIGGEST crime of all. It switches gears into CGI battles and all but abandons the stylized Wire-Fu and gun violence that made the first two movies so much fun. HELLO! We weren't watching them because of the plot, we were watching them because they were trippy cool kung-fu shoot em up sci-fi films... and you went and abandoned the action that we loved in place of CGI battles that are even boring almost 20 years later. It basically left everything that made us go "WOW!" when we saw the first one behind and took a totally new form for the climax and... you lost me there.
Read the whole review on TMDBAnd so the much-hyped Year Of The Matrix comes to an end. Truthfully, though, the real Year Of The Matrix was 1999, when the groundbreaking original proved to be the right film in the right place at the right time. Tapping into the cultural zeitgeist and Y2K fears about the power of machines over mankind, The Matrix not only revitalized slo-mo action sequences with its 'bullet-time' style, it had a political relevance that already seems dated in a 21st century world dominated by a war against terror, not technology. The Matrix Reloaded, for all its faults, did try to up the ante, both in its creation of a wider Matrix myth and its budget-heavy effects. Revolutions, however, is content to follow in its wake, the final couple of hours of a four-and-a-half hour slab to which the original movie, in the makers' minds, is but a pre-title sequence. Granted, there's less philosophical babble and more emphasis on action in Revolutions, but the Wachowskis, having backed themselves into pseud's corner, can only deliver with a formula where spectacle and pretentiousness follow on from each other in steady succession. Gut thrills and intellectual stimulation are never integrated as one. Revolut
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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79 profiled raters. Loved most by The Genre Devotees; disliked most by The Prestige Hunters.
If you loved this film, the television, the book, the music, the game.
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