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A Documentary Re-Invented
The lives of the late Bradford playwright Andrea Dunbar and Lorraine, one of her daughters, and the community of Bradford, in the 30 years since the 18-year-old Andrea penned a play about growing up in the community titled "The Arbor".
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Prestige, contemplative, character-led and bleak.
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Using a combination on documentary style film making and some more theatrical re-enactments, this takes a candid approach to it’s telling of the story of troubled playwright Andrea Dunbar - probably most famous for her “Rita, Sue and Bob Too”. The arbor in question is a street on the 1950s Buttershaw housing estate in the Yorkshire city of Bradford, and it’s primarily through the eyes of those portraying her children that we get a glimpse of the booze and drug-fuelled lives of many who lived in this working class community. Lorraine (Manjinder Virk) and Lisa (Christine Bottomley) quite ably provide a running narrative combining some more overtly recreated episodes with some cleverly presented lip-synched deliveries from actual conversations that occurred with their mother, between themselves and with their neighbours as they grew up - and they do that convincingly throughout. If you did live in any of Britain’s northern urban areas in the 1970s, then there is a lot relatable here. The sense of community spirit is writ large, but so is the racism that prevails amidst a society that profoundly disapproves of any inter-racial relationships - an issue that personally impacts on Lorrain
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