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Fear changes everything.
After a violent storm, a dense cloud of mist envelops a small Maine town, trapping David Drayton and his five-year-old son in a local grocery store with other local residents. They soon discover that the mist conceals deadly horrors that threaten their lives, and worse, their sanity.
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Bleak, overwhelming, open-ended and contemporary.
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Until the director Frank Darabont decides that he’s saying something important instead of making a nifty horror movie, “The Mist” isn’t half bad.
Data provided by The New York Times.
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“Does the ending land?”
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“Is The Mist emotionally manipulative?”
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“Is the book better?”
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