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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
It is probably best just to assess this satirical comedy on a superficial level; otherwise the hypocrisy is overwhelming. Steve Coogan plays a self made gaziliionaire who is organising a no expense spared celebrity 60th birthday party for himself on Mykonos. In cahoots with his ex-wife Isla Fisher and his mother Shirley Henderson we are exposed to the most vulgar and crass aspects of the mega-rich lifestyle in which they live whilst at the same time exploiting just about everyone that they come into contact with - regardless of gender, education or ethnicity. Jamie Blackley "Young Richard" takes what plaudits there are in this. He is expelled from his posh private school school for regularly fleecing the other pupils; next he is fleecing those in the London rag trade before setting up a discount store that sets the ball rolling for his future billion pound enterprise. Coogan is good as the odious and exploitative "McCreadie"; David Mitchell really wooden as his autobiographer "Nick" and we have a few scenes for Asa Butterfield as his slightly geeky son "Finn" but the rest of this has mis-information and double standards written all over it. The comedy is obvious; the constant parod
Read the whole review on TMDB“Greed” is overstuffed with so much social commentary that its bursting at the seams. The film tries to tackle too many hot topics, including the selfishness and sins of the mega-rich, the excesses of the fashion industry, the exploitation of mistreated factory workers, and the plight of impoverished refugees. Its themes may be crowded, but the film is never boring. The movie tells the fictional story of luxury fashion retail honcho Sir Richard McCreadie (Steve Coogan), an idiot narcissist billionaire who is an excellent villain for modern times. Sir Richard is planning a spectacular themed 60th birthday party on the Greek island of Mykonos, and price is no object when it comes to having proper silverware, a “who’s who” guest list of the hottest celebrities, the finest gourmet cuisines, and a hand-built replica of the Roman Colosseum, complete with a gladiator match featuring a live lion. There’s a moral outrage that intensifies as this slightly satirical story turns darkly tragic, and the dialogue is crisp and witty as screenwriter (and director) Michael Winterbottom aims his pen squarely at the target of Western capitalism. But despite an extremely satisfying ending and the film’
Read the whole review on TMDB**_A savage and hilarious satire_** >_It hurts us to be paid so little. I have to do this and they sell one piece of clothing for more than I get paid in a month. We cannot eat nutritious food. We don't have a good life, we live in pain for the rest of our life and die in pain. Low wages is the main reason. How much burden can a woman take? Husband, children, house and factory work – can we manage all these with such a meagre salary? So we are caught up in the debt trap. Is there no solution for our problem? The targets are too high. They want 150 pieces an hour. When we can't meet the targ__ets, the abuse starts. There is too much pressure; it is like torture. We can't take breaks or drink water or go to the toilet. The supervisors are on our backs all the time. They call us donkey, owl, dog and insult us, make us stand in front of everyone, tell us to go and die._ - Sakamma Mahadevaiah (sweatshop employee working for GAP supplier Texport Overseas in Bengaluru); "India's clothing workers: 'They slap us and call us dogs and donkeys'" (Gethin Chamberlain); _The Guardian_ (November 25, 2012) >_In 1911, 146 apparel workers died at the Triangle Shirtwaist factory in New York City when
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