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Action, Thriller, Science Fiction 102 min R
Rotten Tomatoes84%Metacritic70IMDb
Part man, part machine, all cop.
In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy into an armed confrontation with crime lord Boddicker so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company's nefarious plans, he turns on his masters.
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Meticulous, relentless, plot-driven and effortless.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
I'd buy that for a dollar and a dime. Outbid them fair and square. This is one of the Verhoeven masterpieces. It's a bit of action and a bit of parody, and a lot of "in your face" directing that puts Verhoeven a step above Tarantino, because Tarantino actually makes fun of the geeks in the audience with one dimensional characters, while Verhoeven gives multiple dimensions to everyone. Here, we have a police force that is collapsing to crime that is idolized. Talk about seeing the future! Big business claims they run the police force by equipping them like they do the military. One little cop, Murphy, runs afoul of the most dangerous criminal, and this criminal is something else. He will probably make you laugh with his nerdy look and his lines, but he's deadly. However, he does tell his gang to give Murphy a hand. The big business has a big boss, an older guy about to retire according to his second in command, Dick. And Dick is aptly named. Meanwhile, a young upstart who is a bit of an anti villain or anti hero, played by Miguel Ferrer, is not afraid of "Dick". You may have seen some of the famous scenes, and you've surely heard the catch line "I'd buy that for a dollar", which is
Read the whole review on TMDBPeter Weller is policeman "Murphy" who doesn't make it through his first day on patrol is the brutally lawless Detroit. Luckily for him, though, the "Omni" company has been developing plans for a semi-automated, heavily armed super cop - and pretty smartly he has been fused into this pretty amazing - if totally clunky - body armour that enables him to carry out his new duties with our fear of injury. Pretty soon, though, he discovers that he is amidst a web of corruption. Can he stay alive, keep his partner "Anne" (Nancy Allen) safe and thwart the evil plot that may well be tied into the criminals who left him for dead in the first place? Plenty of action and pyrotechnics follow as the story marches along to it's pretty obvious conclusion. Plenty of pace, some pretty banal dialogue - it's all the usual stuff that I found adequate, but really pretty dated now. Weller is ok, but I'd sooner have had Arnie in the role to inject some charisma and a little humour to this otherwise rather dry and procedural affair. It's perfectly watchable, but I can't quite rave about it.
Read the whole review on TMDBThey'll fix you. They fix everything. On his first day out on the streets of Detroit, Officer Murphy is brutally killed by known thug leader, Clarence Boddicker. Scientists at OCP are able to use what remains of Murphy's body and build a new heavily armed cyborg police officer, one that could rid the streets of crime forever. Paul Verhoeven has been called many things in his career, bonkers, challenging and visionary, here with his first perceived block buster American feature, he showcases all of those things. Robocop on the page (and with its title) looked like your average run of the mill sci-fi shoot them up, with its basic premise not exactly oozing originality either. But Verhoeven had screenwriter's Edward Neumeier & Michael Miner in his corner, and they came up with a superior script to fully realise his vision. That Robocop is a satirical critique of totalitarianism and corporate corruption is now a given. Yet it wasn't at first evident to the summer block buster crowd, but Robocop has stood up well to critical re-examinations and the depth digging that so many have afforded it. So with the script he wanted in place, Verhoeven utilised his memories from childhood, where hi
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70 profiled raters. Loved most by The Comfort Seekers; disliked most by The Provocateurs.
If you loved this film, the television, the book, the music, the game.
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