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Action, Thriller, Crime 125 min R
Vengeance has a new face.
Taking place during the events of John Wick: Chapter 3 – Parabellum, Eve Macarro begins her training in the assassin traditions of the Ruska Roma.
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Unpretentious, relentless, resolved and plot-driven.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
This woman sure gets hit in the head a lot. TBI is real. Grenade fight! Eve's got bad grenade reaction when tables are turned. Maybe that TBI is kicking in a bit, young lady. Better start your finger games. Sure is long. So much running. Fake running. Can't fake running. Sword spinning is stupid. Dude walked right into flamethrower range, over dead bodies, paused, smiled and then flamed. Get on the finger games. This feels much longer than new avengers. Seems like flamethrower victims'd either be fine enough to kill or screaming and writhing on the floor. Dual flamethrower spin was cool. Overall, too much flamethrower. He ruined Ted. He ruined Cyberpunk. Perhaps people will see Keanu's performance as ahead of its time. Swearengen. More like Bidengen. Charon needs to be elaborately sworn in as the new guy.
Read the whole review on TMDB_Ballerina_ is a culmination of everything that works in the John Wick universe, but also dialed up to new heights. The movie is quite a simple vengeance story at the center which is sadly left unfulfilled but it is how well every other element of the movie is taken that makes this story actually work at the end of the day. The action is the same John Wick action we know and love but with so much more creativity infused this time around, from people popping like a balloon by way of grenade to people being lit on fire like crazy. This different approach to the action of the main John Wick films, which is often cold and very mechanical, makes Ballerina stand out on its own. Of course, _Ballerina_ also stands out because of the committed efforts of Ana de Armas as Eve who the audience actually gets to care for in the movie. That's why John Wick's inclusion here seems like a massive 4th wall break because the audience is locked into Eve and her vengeful mission. Other flaws of this movie lie in character development, balance, motivation, and redemption but also in short plot points and vague plot points. Lastly, the world building in _Ballerina_ is a healthy amount, especially for a sp
Read the whole review on TMDBThis isn’t a film, it’s a live action video game with a predictable plot and loads of energetically choreographed CGI to substitute for anything vaguely akin to a story. It starts with the young “Eve” (Victoria Comte) who witnesses her father’s death at the hands of “The Chancellor” (Gabriel Byrne) before being adopted into the secret society of “John Wick” by “Winston” (Ian McShane) and his drag-like boss (Angelica Huston) where she learns to combine the artistic skills of a ballerina with deadly ninja ones - as she morphs into Ana de Armas (whilst everyone else remains exactly the same). Anyway, none of that really matters as she accidentally discovers the identity of the tribe who ruined her life and despite warnings of dire consequences, sets off on a lethal mission of retribution that takes her to a Czech Republic where everyone speaks perfect English. The thing is, it appears that her gang and the one she is pursuing have a sort of unwritten truce, and given she is about to throw that under the Skoda, Angelica has no choice other than to bring out of retirement the legendary you know who. Will that make anything any different or safer or even less repetitive? It not so much t
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