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You can get away, but you can never escape.
After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.
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Bleak, overwhelming, intimate and character-led.
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Something's lurking in the woods in this disquieting, ambiguous indie about a young woman escaping from a cult
In “Martha Marcy May Marlene,” the debut feature film by Sean Durkin, Elizabeth Olsen plays a character trying to negotiate incompatible versions of herself.
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“Is Martha Marcy May Marlene emotionally manipulative?”
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“Does the smallness hold it back?”
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