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Mystery, Crime, Thriller 127 min PG-13
Rotten Tomatoes62%Metacritic52IMDb
Murder was just the beginning.
Belgian sleuth Hercule Poirot's Egyptian vacation aboard a glamorous river steamer turns into a terrifying search for a murderer when a picture-perfect couple's idyllic honeymoon is tragically cut short.
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Resolved, contemplative, cool and plot-driven.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Death on the Nile has a prologue set in World War I, where a young Hercule Poirot is played by a digitally ‘de-aged’ Kenneth Branagh. Et tu, Kenneth? If you must do this, why not get a younger actor who looks likes Branagh? Or even one who doesn’t look like the Northern Irish writer/director/actor, so long as he looks like an actual human being; it’s safe to say that Branagh looks neither like himself nor like a member of the human race (he actually looks less grotesque after an explosion disfigures one side of his face). Again, this is only if you must do this – but then, you mustn’t do it, especially considering that this prologue exists only, and I kid you not, as an origin story for Poirot’s mustache. In order to catch up with Branagh’s current appearance, the character then ages some 40 years in the space of about two decades, and in the interim it’s the world around him that has received a digital facelift – in particular Egypt, whose entire topography and everything in it, including flora, fauna, bodies of water, architecture, historical landmarks, etc., etc., has been computer-generated, and very crudely at that. They should have called this Death on Denial, because based o
Read the whole review on TMDB**For a movie with death in the title, it takes way too long for the mystery to begin. Bore on the Nile.** Death on the Nile waits almost an hour into the movie before there is an actual death... a murder mystery that is focused much more on the shallow lives of its wealthy aristocrats rather than solving the murder mystery. The mystery is fairly stereotypical and easy to figure out. The film is dreadfully slow, making the 2 hour run time feel more like 3 hours. If you enjoyed Murder on the Orient Express, you would probably enjoy the expanded characterization of Kenneth Branagh's Hercule Poirot amidst the spectacular set pieces and wardrobe of the 1930s. Mix in superstar Gal Gadot and some other up-and-coming talented actors and Death on the Nile rises from absolute bore to tolerable. _As a total bonus - Kenneth Branagh's mustache in this movie is a work of art in and of itself! That thing is amazing!_
Read the whole review on TMDBI honestly did not expect much out of this movie given how Branagh’s Murder on the Orient Express turned out. Now, Hercule Poirot together with Sherlock Holmes are my two favourite fictional detectives and I’m obviously having strong opinions about the subject. If you liked the movie then fine but this is my personal opinions so… here we go. Just as with Murder on the Orient Express it could have been a decent mystery/crime movie if it had not pretended to be a Hercule Poirot movie but again this was a miserable attempt to make a Americanized version of Hercule Poirot. The movie starts off with black and white scenes from World War I trying to make him out to be some war hero. There was no reason for that and it is not Hercule Poirot. One good thing I can write about the movie is that there are some lovely scenery, especially at the beginning. Unfortunately that is about it as far as the good parts go from my point of view. Apart from the good scenery the film goes overboard trying to get fancy with the camera. Like the ridiculous revolving scenes on the boat, bizarre perspectives and quite a few too dark and gloomy scenes. The worst part of the movie is that it is totally disrespe
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