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The hanging was the best show in town. But they made two mistakes. They hung the wrong man and they didn't finish the job!
Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.
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Raw, effortless, plot-driven and classical in form.
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When "Cooper" (Clint Eastwood) gets caught up in a case of mistaken identity, he is all but lynched by a group of citizens convinced he has committed murder. Luckily for him, he is snatched from the jaws of death by deputy "Bliss" (Ben Johnson) who takes him in for a more legitimate hanging. Fortune continues to shine on "Cooper" though, when local judge "Fenton" (Pat Hingle) finds his story checks out and offers him a job with a badge of his own. This isn't to take the law into his own hands - he is expected to bring the men who tried to kill him in for due process. He might be willing enough, but are they? Meantime, he finds that his rekindled law-man occupation sees him involved in other dangerous business, and after one especially close near-miss, he finds himself falling for the nagging "Rachel" (Inger Stevens) who has her own fairly harrowing story to relate. On the face of it, this is just another routine revenge western, but Eastwood and Hingle deliver a bit more than that as they try to apply some elements of the rule of law to a society that is still pretty much living a survival of the fittest (or fastest) existence. We get to know a little more of some of the vigilantes
Read the whole review on TMDBWe all have our ghosts, Marshal. Hang 'Em High is directed by ted Post and written by Leonard Freeman and Mel Goldberg. It stars Clint Eastwood, Inger Stevens, Pat Hingle, Ed Begley, Ben Johnson, Charles McGraw, Ruth White and Bruce Dern. Music is by Dominic Frontiere and cinematography is shared by Richard H. Kline and Leonard J. South. An innocent man survives a lynching and returns as a lawman and sets about bringing the vigilantes to justice. After making a name in Leone's Dollars Trilogy, Eastwood returned to America and began cementing his name in the genre of film that would come to define him. Though very much an American Western, this does have Spaghetti Western tonal splinters. Story is derivative and safe, however the characterisations are not and are pungent enough to warrant viewing investment. Unfortunately director Ted Post often lets the pace sag to unbearable levels - especially in the last third of film, it's a shame that the mooted Robert Aldrich didn't get the gig. There simply is not enough on the page to sustain the near two hour running time, with the finale proving to be a rather flat experience. The liberal stance on the death penalty is a touch heavy hande
Read the whole review on TMDB<em>'Hang ’em High'</em> is entertaining stuff. I personally think the first half is much stronger than the second half, which loses its way a tad and ends up concluding in a perfectly good but not as great way as what I had wanted - based on the impressive opening hour or so. Clint Eastwood, though, is excellent from start-to-finish. I undoubtedly enjoyed his performance, which is great to see follow on from the major highs of the Dollars trilogy. Pat Hingle is also a positive performer, he and Eastwood share one terrific scene in particular.
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