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Drama, Crime 110 min R
Rotten Tomatoes59%Metacritic57IMDb
Dreamers. Victims. Murderers.
Three young women were sentenced to death in the infamous Manson murder case, but when the death penalty was lifted, their sentence became life imprisonment. One young graduate student was sent in to teach them – and through her we witness their transformations as they face the reality of their horrific crimes.
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Contemplative, intimate, bleak and character-led.
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Charlie Says “follow my ruthless indoctrination with limited psychological depth”. Charlie also says “forget about ‘Doctor Who’, I can be a credible talent by portraying a notorious serial killer with a bushy beard and questionable accent”. What Charlie forgot to say though was “it’s still an ill-mannered interpretation of events that rarely conveys humanisation within its real-life human characters”. For a year that had approximately three feature-length titles depicting the murder of Sharon Tate, Harron’s meticulous angle is the most welcomed approach. Purely focusing on the “family” and how Manson brainwashed them into believing his own radical fantasy, the story hones in on a psychologist assisting three female followers in realising the reality of their heinous actions. Consequently, the narrative written by Turner is constructed through the tired structure of flashbacks, whilst holding an ounce of gravitas. And I can visibly touch the intangible perspective that Turner aimed for. Almost tasting its ingenuity. Proposing a psychological position of events that have been retold repeatedly within cinema, by targeting the process of curing indoctrination. Yes, Sharon Tate and othe
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