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The life we enjoy.
The commandant of Auschwitz, Rudolf Höss, and his wife Hedwig, strive to build a dream life for their family in a house and garden next to the camp.
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Contemplative, prestige, bleak and meticulous.
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A few lines from each review; the whole review is on the critic's site. Not part of Taste Buds's numbers.
Focusing on the everyday domesticity of the Auschwitz commandant’s family might only reflect the horror indirectly, but the film pulls the banality of evil into pin-sharp focus
Jonathan Glazer has made a hollow, self-aggrandizing art-film exercise set in Auschwitz during the Holocaust.
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Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is this Jonathan Glazer's best work?”
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“Is The Zone of Interest emotionally manipulative?”
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“Is The Zone of Interest harder work than it needs to be?”
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