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A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scouts the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter.
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Contemplative, prestige, meticulous and bleak.
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***The beginning and end of a boom town in the Sierra Nevadas*** During the California gold rush of 1849 a desperate man establishes a boom town in the Sierra Nevadas. Eighteen years later his abandoned wife & daughter (Nastassja Kinski & Sarah Polley) ride into town and turn his life (Peter Mullan) upside down. Milla Jovovich plays his singing saloon babe while Wes Bentley is on hand as a surveyor for the railroad that’s coming through. “The Claim” (2000) is a top-of-the-line Western that inexplicably fell through the cracks when it was released. It has similarities to “McCabe & Mrs. Miller” (1971), but with more interesting characters, a more compelling story and spectacular locations, not to mention less focus on a house of ill repute. If you appreciate grim, realistic Westerns like “The Great Silence” (1968), “Bad Company” (1972), “The Missouri Breaks” (1976), “Heaven’s Gate” (1980), “Unforgiven” (1992) and “North Star” (1996), you’ll like this one. It’s as good or, in most cases, better. I should add that it’s not all grim; there are glimmerings of light. The film runs 2 hours and was shot at Fortress Mountain, Kananaskis Country, Alberta, with the train sequences filmed in Du
Read the whole review on TMDBThe Casterbridge Claim. "Thy Kingdom come, thy will be done, on earth as it is in heaven" Michael Winterbottom directs what is in essence a Western version of Thomas Hardy's The Mayor of Casterbridge. It's Sierra Nevada, California, 1867 and the pioneer town of Kingdom Come is thriving under the strict but effective rule of Daniel Dillon (Peter Mullan). Dillon came by way of a gold claim many years earlier by way of a trade, the barter? His wife and child. But now the past is about to catch up with him and Kingdom Come could well turn out to be his burning hell... Right off the bat it has to be said that The Claim is a difficult film to recommend, even to Western movie lovers. It's deliberately slow and purposely elegiac and ethereal. The literary aspects of the narrative positively sparkle, yet still this doesn't make the story any more vibrant, because Winterbottom and screenplay writer Frank Cottrell Boyce want to keep things in perspective. In a film that is awash with untold beauty, the snowy mountainous landscapes (Calgary standing in for California) stunningly photographed by Alwin H. Küchler, it's perpetually cold and bleak, the ice and snow a constant that marries up with
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