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COMING AT YOU ... in a blast of terrific drama!
City police surround a building, attempting to capture a suspected murderer. The suspect knows there is no escape but refuses to give in.
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Intimate, bleak, spare and overwhelming.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
The claustrophobic setting and the photography here really do promise much, but as the story unravels it becomes all a bit disappointing. Henry Fonda is beleaguered war veteran “Joe” who has returned to discover that a lot has changed since his departure. For a start, his beloved “Jo Ann” (Barbara Bel Geddes) turns out to have been slightly economical with the truth about her relationship with the odious magician “Max” (Vincent Price). On that front, his former assistant “Charlene” (Ann Dvorak) is not entirely unknown to “Joe” either. Now this is told via flashback, and so we know that “Joe” is holed up in an apartment that’s been riddled by official bullets and that someone is dead at his hands. What we don’t yet know is who and why. That explanation doesn’t work so well here, despite a strong effort from Fonda and a gently engaging one from the ladies. Price has the best role in the story, I think, but he just over-eggs his character and what little sense of jeopardy the flashbacks allow is replaced by more than an hint of rather stolidly played out love-quadrangle melodrama. It’s based on a much grittier story by Jacques Viot - that has nothing to do with war, veterans nor psych
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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