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You Will Never See Anything Finer On The Screen!
A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
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Contemplative, nostalgic, meticulous and character-led.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Though I really enjoyed watching this, it isn't really a film at all. Messrs. Powell and Pressburger have elicited the help of the supremely talented Christopher Challis and of the late Jacques Offenbach and basically filmed an augmented theatrical production of his eponymous, uncompleted, opera. They have assembled a curiously effective collection of gloriously clad acting talent - most of whom, aside from the narrator/composer himself in the form of Robert Rounseville, cannot actually sing - and proceeded to present us with something that is really quite beautiful to watch and listen to; but that is really not that different from that which we might see at Covent Garden. It features the landmark P&P colour schemes - vibrant, lively and bold with the use of light and the staging of this three part story all adding up to a delightful watch. If you know the libretto, then you will know this is about a rather down-in-the-dumps poet who is reflecting on his life and the choices his chosen career has forced him to make at the expense of his loves. The ballet dancer "Stella" (Moira Shearer) is his most recent love, but there have been others and all of them have, in some way, fallen fou
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is the polish hiding a lack of heart?”
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“Is this Michael Powell's best work?”
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“Is the nostalgia doing the heavy lifting?”
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