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Fantasy, Comedy, Adventure 124 min PG-13
Rotten Tomatoes63%Metacritic45IMDb
Discover the past. Save the future.
When single mom Callie and her two kids Trevor and Phoebe arrive in a small Oklahoma town, they begin to discover their connection to the original Ghostbusters and the secret legacy their grandfather left behind.
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Nostalgic, resolved, unpretentious and effortless.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
At last, a <em>'Ghostbusters'</em> movie I actually, kinda, like. I will say that even with that being the case, I still didn't overly enjoy it. I'm not sure what it is exactly, but this franchise just never truly delivers for me personally; I don't rate the original two films, the 2016 reboot is one I found to be better but still not good. The whole concept simply doesn't do anything for me, for some reason. The reason I did just narrowly enjoy this one more is the cast, to be honest. I have similar feelings about everything else here as I do for those aforementioned past instalments, but those onscreen are real positives... well, at least a few of 'em. Mckenna Grace and Logan Kim are the best things about <em>'Ghostbusters: Afterlife'</em>, for my money. Grace portrays her "nerdy" character supremely well, while Kim is amusing; his comedic delivery is absolutely spot on, especially whilst we are introduced to his character at the beginning. The others are alright, whilst it's pleasant to see cameos from the past. The Mini-Pufts are cute, at least. Here's hoping I'll like <em>'Ghostbusters: Frozen Empire'</em> more when that comes out in a few months.
Read the whole review on TMDBThis is a film that I was on one hand looking forward to watch and on another hand feared to watch. I was really hoping that this movie would be able to reboot the franchise after that abysmal piece of woke shit Ghostbusters (2016) had totally ruined it. Looking back at my review of that movie I am actually surprised that I gave it any stars at all but in 2016 the lefts wokeness had not yet reached the psychopath levels that is has today so I guess it didn’t strike me as hard. Anyway, when it was announced that this new movie would ignore previously mentioned atrocity and be a sequel to the original(s) it, of course, became a must watch for me. So, what about this new instalment then? Well, it is almost woke free which is a relief of course. Is it a great movie? No not really but it is good and it is a quite entertaining family movie and, frankly, it gets an added star just for burying the 2016 feminist trash. I think that one will be relegated to the same status as the famous The Scottish Play and, from now on, be referred to as The Woke Trash, if referred to at all. I have to agree with some reviews that think it was a poor choice to make the main protagonists in this movie kids.
Read the whole review on TMDB"Callie" (Carrie Coon) is a bit short of cash, so must retreat to her late father's dilapidated pile with her son "Trevor" (Finn Wolfhard) and geeky daughter "Phoebe" (Mckenna Grace). When the young girl discovers that she has a chess partner that she cannot see, then a "ghost trap" under their frequently shaking old house, she and her brother - alongside her seismologist teacher "Gary Grooberson" (Paul Rudd) are soon doing what it says on the tin. It takes for ever to get going, this film - far too much time is spent on character development and by the time it actually gets up to speed I was just a little bit bored. It is redeemed by the last ten minutes, to a certain extent, but I could have been doing with a bit more of Rudd's character - and quite a few more ghosts to bust. It looks ok, the effects are fine - there is just a paucity of them - and the two youngsters work well together with a decent (if wordy) script that has some amusing scientist jokes.
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