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"I am not allowed to love. But I will love you if that is your desire..."
Air Force Major Lloyd Gruver is reassigned to a Japanese air base and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy.
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Contemplative, classical in form, earnest and grave.
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Though it does try to deal with some quite poignant issues, I’m afraid it struggles to engage as it plods along a bit too sedately for 2½ hours. It’s set in an immediately post-war Korea and sees “Joe” (Red Buttons) fall in love with a Japanese gal. Now that’s strictly against the rules of fraternisation and he risks an immediate court martial. It’s only going to get more precarious when he decides to marry “Katsumi” (Miyoshi Umeki) and he asks his all-American boss “Maj. Gruver” (Marlon Brando) if he’ll be the best man. Things are further complicated because not only is “Gruver” the son of a commanding general but he also doesn’t really comprehend why his friend would be willing to surrender his US citizenship just to marry this girl. As the story develops, we discover that “Gruver” is slated to marry “Eileen” (Patricia Owens) who’s also the child of a general - but there is soon a fly in that particular ointment as “Hana-ogi” (Miiko Taka) comes onto the scene and fairly rapidly the major begins to understand his friend “Joe” an whole lot more. Perhaps a little surprisingly, “Eileen” isn’t entirely unsympathetic and it’s largely through her characterisation that a light is shone o
Read the whole review on TMDB_**Brando’s romantic culture clash in Japan after WW2**_ In 1951, an American Air Force pilot serving in Korea (Marlon Brando) is reassigned to Kobe, Japan, where he deals with his American fiancé (Patricia Owens) and a Japanese performer who attracts his attention (Miiko Taka). The problem is there’s a military order against fraternizing with indigenous women. James Garner and Red Buttons have peripheral roles while Ricardo Montalban is on hand as a famous Kabuki entertainer. “Sayonara” (1957) is a romantic drama highlighted by Brando’s performance as a genial Southern officer, the Japanese culture & locations, plus the quaint conventions of the time period, not to mention Garner in one of his earliest roles. It’s similar to “The Ugly American” (1963), but arguably better. “Désirée” (1954) is another apt comparison, despite taking placing during the Napoleonic era. The film is a little long at 2 hours, 27 minutes, but I didn’t mind. It was shot in Japan with some stuff done in Burbank & Hollywood. GRADE: B
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