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The funny, touching and totally irresistible story of a working relationship that became a 25-year friendship.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
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Contemplative, intimate, character-led and effortless.

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Bit of an odd one, though it does end up leaving a mark. <em>'Driving Miss Daisy'</em> perhaps skirts around the larger picture in regards to the discrimination it alludes to, but all in all it's a charming tale about unlikely friendships. I do like when movies follow characters across an extended amount of time, in this case we see events stretch across 25 years; seeing characters grow and develop as they age is a cool thing. Morgan Freeman is terrific, as is Jessica Tandy. Dan Aykroyd and Esther Rolle play their part too. Hans Zimmer is on music and to be honest (as much as I rate that guy) I'm not convinced the score, which is good, fits particularly well here. By the end it probably does, though at the beginning the in-your-face nature of it feels a bit out of place.
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Does the smallness hold it back?”
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“Is Morgan Freeman the best thing in Driving Miss Daisy?”
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“Is Driving Miss Daisy too earnest?”
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23 profiled raters. Loved most by The Prestige Hunters; disliked most by The Ironists.
If you loved this film, the television, the book, the music, the game.
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