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Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.
Drama 121 min PG-13
Rotten Tomatoes96%Metacritic95IMDb
You don't get to 500 million friends without making a few enemies.
In 2003, Harvard undergrad and computer programmer Mark Zuckerberg begins work on a new concept that eventually turns into the global social network known as Facebook. Six years later, Mark is one of the youngest billionaires ever, but his unprecedented success leads to both personal and legal complications when he ends up on the receiving end of two lawsuits, one involving his former friend.
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Meticulous, relentless, prestige and cool.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
You have to wonder whether Mark Zuckerberg would ever have liked this career defining portrayal by Jesse Eisenberg? His character comes across as an arrogant ass of a man who is prepared to chuck just about everyone under the bus in order to get his original concept of an inter-connected network that enables folk to chat with each other in real time online. He is fed the germ of the idea by the Winklevoss twins (Armie Hammer) and using $1,000 from his best (and only) pal Eduardo Saverin (Andrew Garfield) is soon well on the way to developing "Facebook". That comes to the attention of the savvier Sean Parker (Justin Timberlake) but it's pretty clear that he and Saverin are no match made in heaven. As the story progresses, the personalities are quite sensitively and intensely developed as ambition takes over and Zuckerberg finds himself more and more isolated. Eisenberg is really quite effective here. His portrayal of a man who is fiercely intelligent, sarcastic and focussed is quite compelling to watch - even if it does, frequently, make you want to shoot him. Garfield, too, works well as the almost diametrically opposite sort of character who only towards the end realises he is bei
Read the whole review on TMDBFull review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/no-new-friends-the-social-network-review<a> Perhaps no other website has altered the course of the 21st century like Facebook. Its launch in 2004 forever changed the way society talks about social media and connects with friends and strangers, and became the lightning rod of a multitude of controversies. Conspiracy theories, political propaganda, and mass surveillance became the norm. All of it a far cry from the basic “hot or not” site Facebook sprang from. _The Social Network_ takes the audience back to that fateful night at Harvard when a primitive version of Facebook was born in the dorm room of Mark Zuckerberg (Jesse Eisenberg) and Eduardo Saverin (Andrew Garfield). Director David Fincher and writer Aaron Sorkin are a dream team in this film. Sorkin’s signature quick dialogue is a perfect match for the pace of this movie. It gives Zuckerberg a smarminess that is easy for the audience to rally against, as though creating a website that objectifies women simply because his girlfriend dumped him isn’t enough to cause immediate dislike.
Read the whole review on TMDBIf you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Here we go with the fourth review of a David Fincher's film this week, in preparation for the upcoming Mank, directed by the same person who delivered phenomenal movies like Se7en, Fight Club, Zodiac, and more. Now, it's time for The Social Network, which premise can be summed up in "the story behind the creation of Facebook". Ten years have passed since its release, and the real Mark Zuckerberg already stated that most of the film is based on fictional events and conversations. Truth is, this movie was never marketed as a true story, but yes as an adaptation of Ben Mezrich's 2009 book The Accidental Billionaires. It's a film like any other, not a detailed account of whatever happened in real life. With that said, this is easily one of the best adapted screenplays of all-time. Aaron Sorkin, the man behind one of the best movies of 2020 (The Trial of the Chicago 7), demonstrates his incredibly talented writing skills in The Social Network, proving that he's one of the most meticulous writers working today. If you've been reading my previous reviews, there's a couple of compliments I keep
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57 profiled raters. Loved most by The Formalists; disliked most by The Ironists.
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