Twelve kinds of taste
Which one are you?
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Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.
Directed by Theo Angelopoulos, Olivier Assayas, Bille August, Chen Kaige, Michael Cimino, Jane Campion, Luc Dardenne, Tsai Ming-liang, Raymond Depardon, Jean-Pierre Dardenne, Atom Egoyan, Takeshi Kitano, Roman Polanski, Alejandro G. Iñárritu, Gus Van Sant, Andrei Konchalovsky, Walter Salles, Manoel de Oliveira, Aki Kaurismäki, Raúl Ruiz, Nanni Moretti, Hou Hsiao-hsien, Ken Loach, Elia Suleiman, Claude Lelouch
Comedy, Drama 100 min
Rotten Tomatoes100%IMDb
A declaration of love on the big screen.
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
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Prestige, character-led, nostalgic and open-ended.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
TO EACH HIS OWN CINEMA is a 2007 collection of 3-minute shorts by some 36 directors around the world on the theme of what cinema means to them. So many auteurs already make films about films inasmuch as they allude to classics, but here most of the shorts are actually set in cinemas, with audiences in rows of seating. You'll need to have a decent familiarity with the arthouse canon before watching this, though. It's fascinating how so many of the directors, regardless of what continent they hailed from, choose to have French New Wave films playing in the background as their stories are told. It opens with Raymond Depardon's "Open-Air Cinema", where a crowd of Egyptians watched an outdoor projection in Alexandria, and in spite of the unusual writing and the women's veils, they seem to be just like us. Zhang Yimou later does much the same in a Chinese village. One of the remarkable aspects of this collection are the similar ideas. Two stories deal with thieves stealing purses in dark cinemas. Three deal with the blind and how they perceive cinema. Many look back to childhood/earlier eras. Hou Hsiao-Hsien's short recreates 1950s Taiwan on an elaborate set to show the typical visit to
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is the nostalgia doing the heavy lifting?”
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“Is To Each His Own Cinema prestige bait?”
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“Is the polish hiding a lack of heart?”
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