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Northern England, 1912. The dinner of a wealthy family is interrupted by Inspector Goole, who only announces that a young woman has committed suicide. Then, he simply asks everyone present, one by one, if they knew her.
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Intimate, contemplative, bleak and spare.
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> A chain of events involving a family. Just a month ago I saw 'Maigret Sets a Trap', and this is another terrific BBC film. Based on the JB Priestley's play of the same name made for television. I never saw other versions nor I knew the story, so that's the reason I loved it. I don't know the difference, the changes between this and the original material, but I think a screenplay like this should have been a big screen product. Surely one of the best films of the year with a great suspense and twists. I expected a crime solving drama, like a detective use his brainpower to nab a suspect in a style, but this was complete an unexpected narration with various angles of briefing involving a family and their individual link to a woman. This is a story about the chain of events that could happen for us in real life. But what this film's specialty is that makes realise for its characters that how their part influenced a woman's life. It's the year 1912, during a wealthy Birling family celebrating their daughter's engagement, a mysterious inspector interrupts them to question on a woman who committed suicide on that evening. In the hours long interview, some unexpected truth comes out and
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Answer first; then see how everyone, and your circle, split.
“Does the smallness hold it back?”
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“Is David Thewlis the best thing in An Inspector Calls?”
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“Is the slow pace a feature rather than a flaw?”
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