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Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there...
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Contemplative, prestige, character-led and spare.
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Caught between Earth and Sky RELEASED IN 2005 and directed by Wim Wenders, "Don't Come Knocking" tells the story of a 60 year-old B-Western film has-been, Howard Spence (Sam Shepard), who is sick of his meaningless scandalous carnal existence. While on a film set in Utah he jumps ship and flees on a horse, searching for SOMETHING, like a reason to exist. He ultimately travels to Butte, Montana, where he gets reacquainted with an ex-girlfriend (Jessica Lange) and meets an angry young musician (Gabriel Mann) as well as a mysterious spiritual woman (Sarah Polley). Meanwhile the film company sends an eccentric bounty hunter (Tim Roth) to fetch Shepard for breach of contract. Although this is generally a quiet drama, it has a hip and likable artistic flair. The film is highlighted by magnificent Western locations and a nice modern Country/Western/Rockish score/soundtrack (non-twangy). We can all relate to Howard's search on some level; hence, despite the film's slow drama it generally maintains the viewer's attention throughout its runtime, unless you strictly favor fast-paced, quick-edited explosion-every-five-minutes thrillers. The two youths Howard meets in the story, Earl and Sky, r
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Is the slow pace a feature rather than a flaw?”
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