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What you see can hurt you.
Rachel Watson, devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.
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Bleak, spare, unpretentious and raw.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
**A very feminine film with a good mystery, but is no better due to several small problems and the total absence of dramatic tension.** Good books usually give rise to good films… if they have people who are skilled enough to translate them intelligently onto the screen. I heard great things about the original book, but as I never found it on sale in my language, I ended up never being able to read it. All I can do is talk strictly about the film, and overall I was satisfied. I couldn't help but feel that the film took a while to really capture attention: I think it was only twenty minutes after the beginning that I felt that there was something interesting here. However, I can understand the need to clearly introduce the three central female characters in the plot. I also liked seeing the way the script treated the main character: the film starts with her, and she seems like someone very friendly. Little by little, this changes: the character is confronted by others and reacts in unfriendly, abrupt or thoughtless ways (I'm being nice). After all, she is the villain! Only very close to the end, with the clarification of the plot after new twists, do we understand more. This is well
Read the whole review on TMDB***Tortuous, tedious and unpleasant psychological crime drama*** A divorced alcoholic (Emily Blunt) who regularly travels the train that parallels the Hudson River north of New York City is fixated on a house in her old neighborhood. When the woman of that house comes up missing, the girl on the train becomes entangled in the investigation. Justin Theroux plays her ex-husband, Rebecca Ferguson his new wife, Haley Bennett the missing woman, Luke Evans the missing woman’s husband and Edgar Ramírez her therapist. “The Girl on the Train” (2016) is a melancholy adult-oriented crime drama/mystery in the mold of “Derailed” (2005), “The Clearing” (2004), "Snow Angels" (2007), “The River King” (2005) and even “Mystic River” (2003). But it’s by far the least of these. As far as technical filmmaking and cast go, there’s no issue. The problem is the unpleasant story, its lack of sympathetic characters and the partly-troubling message at the end. The tale starts off confusing, but everything naturally comes together by the end and makes sense. Unfortunately, the journey there isn’t very compelling and, like I said, the more you get to know the main characters the less you care for them, with on
Read the whole review on TMDB**The mystery man and the gone girl!** It is one of those films that I thought I saw everything from its trailer. Not just me, many others said the same. Those we were never read the original source. Yes, it was based on the book of the same name. I really liked it. Unpredictable, but once it reveals its secret, it feels so simple that we'd missed. Straightforward storytelling. No flashbacks. Great characters, but that's where the story had a strong grip. Especially when the suspense unveiled, you might say all the earlier events were in the wrong direction, which were intentionally done to divert viewer's envision. An alcoholic woman who daily takes the train to work, witnesses out of the window a woman happily married and living the life of her dream. When one day she sees a mysterious man with her, the tale takes a twist. Following the suspense, what she finds and how the film ends are the remaining part. Emily Blunt was very good. There are other characters, but it was Emily's story, told from her perspective. Recognisable role with an award, but the film's theme was an adult. Not like sexual exploration, but the basic outline was drawn out of such concept. One of the finest cr
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