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The Jack the Ripper Murders. Sherlock Holmes lifts the veil of secrecy, corruption and terror at the heart of the throne of England itself. Clue by clue... Murder by murder...
Sherlock Holmes is drawn into the case of Jack the Ripper, who is killing prostitutes in London's East End. Assisted by Dr. Watson, and using information provided by a renowned psychic, Robert Lees, Holmes finds that the murders may have their roots in a Royal indiscretion and that a cover-up is being managed by politicians at the highest level, all of whom happen to be Masons.
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Plot-driven, nostalgic, bleak and contemplative.
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**_What if Sherlock Holmes & Dr. Watson took on the 1888 Jack the Ripper case?_** This isn’t as colorful as “A Study in Terror” or the Hammer versions; nor is it as sordid & gory as Klaus Kinski’s 1976 rendition or Anthony Perkins’ future “Edge of Sanity,” nor as entertaining as the future “From Hell.” You could call it a respectable version of The Ripper case that’s dialogue-driven and eschews exploitation with the highlight being Christopher Plummer and James Mason as the detective duo. I’d compare it to Jack Palance’s “The Strange Case of Dr. Jekyll and Mr. Hyde” from eleven years prior, just with a bigger budget. While the subdued, intellectual approach might make it boring to some tastes, it fills the bill if you're in the mood for a Victorian milieu, black coats, London fog, cobblestone streets, horse-drawn carriages, gas lamps, taverns, Whitechapel women, ghastly murders and governmental intrigue. Donald Sutherland shows up in a peripheral part while Susan Clark and Geneviève Bujold are on hand in the feminine department. Keep in mind that the murderer was never identified or arrested and so every cinematic account that reveals the killer's identity is a fabrication or, at b
Read the whole review on TMDBChristopher Plummer dons the famous deerstalker in this well produced and stylish looking outing for "Sherlock Holmes". Here, together with stalwart colleague "Dr. Watson" (James Mason) they find themselves drawn into the mysterious investigation of a series of gruesome Whitechapel murders. What is being locally described as the "Jack the Ripper" crimes is baffling "Lestrade" (Frank Finlay) to the point that his job is on the line after an intervention by the Commissioner himself (Sir Anthony Quayle). This adaptation follows the increasingly more established story of political and court intrigues around the identity of and the reasons for the "Ripper". A solid cast lend well to the overall sense of despair and, to some extent, depravity in which these prostitutes lived - with a good effort from both Susan Clark ("Mary") and Genevieve Bujold ("Annie"); the latter offering a particularly poignant scene towards the end. The denouement drags out rather, and perhaps shows up a little of the limitations of Plummer, but otherwise this is an entertaining enough retelling of a story that benefits from great attention to detail and an effective score. Rathbone and Bruce they are not, but Plu
Read the whole review on TMDBElementary my dear Ripper! Murder by Decree is directed by Bob Clark and adapted to screenplay by John Hopkins from the novel The Ripper File written by Elwyn Jones and John Lloyd. It stars Christopher Plummer, James Mason, David Hemmings, Susan Clark, Frank Finlay, Anthony Quayle, Donald Sutherland, Geneviève Bujold & John Gielgud. Film pitches Sherlock Holmes (Plummer) and Dr. Watson (Mason) into the hunt for Jack the Ripper in Whitechapel, London 1888... I've been exploited old fellow, by the very people for whom we are searching. The greatest of detectives searching for Britain's most notorious serial killer, it's a killer pitch that had already had a film made in 1965 called A Study in Terror. That was a film that couldn't quite get it right, here, 14 years later, there's a bigger budget and "A" list gloss to help tell the tale. And boy does it work! In the cannon of Sherlock Holmes, Murder by Decree is to Holmes films what On Her Majesty's Secret Service is to the James Bond franchise. Appertaining to the great detective himself, it's the odd one out, a divisive picture, not because it's rubbish or technically shy, but because the main man protagonist dares to be human, a man
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