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Some of us were never meant to fit in.
Two young misfits head for New York City to celebrate their idol and muse, Stevie Nicks, at The Night of 1,000 Stevies. Along the road, in order for them to escape their painful pasts, they must discover their strengths and learn self-acceptance.
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Intimate, character-led, effortless and resolved.
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It’s been twenty-five years since Todd Stephens’ **GYPSY 83** debuted – and in that time it has become a cultural landmark for queer identity long before such representation became commonplace. More than that, **GYPSY 83** captured a moment in American society on the cusp of enormous change with a sincere coming-of-age indie road movie brimming with emotional honesty, compassion and acceptance. Released only a few years after the murder of Matthew Shepard (1976-1998) forced many Americans to confront the violence and prejudice faced by the LGBTQ+ community, **GYPSY 83** bravely (and brazenly) insists on the need for empathy, acceptance, and the right to live authentically. Few films celebrate the virtues of platonic friendship with the warmth and sincerity of **GYPSY 83**. At a crossroads in their lives, Gypsy (Sara Rue) and Clive (Birkett Turton) find themselves languishing in the cultural backwater of Sandusky, Ohio—a place whose rigid expectations leave little room for dreamers, outsiders, or anyone unwilling to conform. Gypsy, a gifted but undiscovered singer devoted to Stevie Nicks, convinces her best friend and unwavering confidant, Clive—a goth teenager quietly navigating qu
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