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What Brought A Nice Kid Like Sue Ann To A Shocking Moment Like This?
A troubled arsonist spins a tale of espionage to a captivating girl, who becomes enthralled and entangled in his dangerous fantasies, leading to unexpected murder and chaos that change their lives forever.
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Spare, intimate, bleak and grave.
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**_A psychopath is loose in western Massachusetts_** When a young man is released from a mental institution for a crime committed when he was 15 (Anthony Perkins), he gets a mundane job at a chemical factory while drawn to a fetching high school cheerleader (Tuesday Weld). "Pretty Poison" (1968) is a psychological drama with a couple crime-oriented thrills that some consider a subtle black comedy. It comes in the tradition of “Gun Crazy” from eighteen years prior. Debuting eight years after Perkin’s breakout success with “Psycho,” he’s still relatively young at 35, but looks ten years younger. It came out between Weld’s “Lord Love a Duck” and “I Walk the Line” (1970) and is sort of a meshing of those two films. While it failed to acquire an audience at the box office, it went on to cult status and thus was remade in 1996 with Grant Show and Wendy Benson-Landes, albeit shot in Montreal. It was also the inspiration for Bart Simpson’s girlfriend in an episode of The Simpsons, as well as influenced future flicks, like “Joyride” (1977). There are some interesting psychological gems to mine and I liked the locations (listed below), but I found the drama relatively boring. Those enamored
Read the whole review on TMDBThe Pitt and the Poison. Pretty Poison is directed by Noel Black and adapted to screenplay by Lorenzo Semple Junior from the novel “She Let Him Continue” written by Stephen Geller. It stars Anthony Perkins, Tuesday Weld, Beverly Garland, John Randolph and Dick O’Neill. Music is by Johnny Mandel and cinematography by David Quaid. Pure definition of a culter movie? Probably Pretty Poison. A wonderfully odd neo-noir that’s as cunning as a fox, Noel Black’s movie flummoxed many upon release but the underground swell of the cult enthusiasts has ensured this particular poison is still around to be swallowed. Plot finds Perkins as troubled Dennis Pitt, an arsonist as a youth and fantasist as an adult, he’s just been released from a mental health facility, in spite of his parole officer’s reservations. Beginning his employment at a chemical factory, Dennis comes into contact with young high school drum majorette, Sue Anne Stepanek (Weld), and lets her believe he is a secret agent. Little does he know, but Sue is only too happy to indulge his fantasies, since she herself is harbouring some unhealthy desires. Much like the brilliant film noir movie Gun Crazy (1950), Pretty Poison upturns the
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