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Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to and admires. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.
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Comic, intimate, character-led and nostalgic.
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I have seen the Golden Palace of the Himalayas. Puberty is over! Onward and upward! Brighton Beach Memoirs is directed by Gene Saks and adapted to the screen from his own play by Neil Simon. It stars Jonathan Silverman, Blythe Danner, Judith Ivey, Bob Dishy, Stacey Glick, Lisa Waltz and Brian Dillinger. Music is by Michael Small and cinematography by John Bailey. This is the first of what would become a trilogy of films detailing the adventures and learnings of Neil Simon's life trajectory. His alias in the three productions comes in the guise of Eugene Morris Jerome, here played by Silverman, and by Matthew Broderick in Biloxi Blues (1988) and Corey Parker in Broadway Bound (1992). This is set in 1937 Brooklyn, New York, and finds Eugene, a Polish-Jewish American youngster experiencing sexual awakening in a family home packed to the rafters. Having never seen a Neil Simon play before I have no frame of reference, either here or with Biloxi Blues, the latter of which is a personal favourite. So taking it on its filmic terms only, it delivers much of the requisite razor sharp humour that was a trait of the hugely talented writer. The young version of Eugene here has sporting dreams
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