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Out of violence, compassion. Out of suspicion, trust. Out of hell, hope.
During World War II, a shot-down American pilot and a marooned Japanese navy captain find themselves stranded on the same small uninhabited island in the Pacific Ocean.
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Intimate, contemplative, character-led and spare.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
> *It's a war movie with almost no fighting. It's a survival movie that's more interested in psychology than fishing tips. An American pilot and a Japanese captain wash up on the same island, and instead of immediately killing each other, they spend most of the runtime playing this elaborate, frustrated game of cat-and-mouse . There's a lot of posturing, a lot of yelling in languages neither understands, and some genuinely funny moments—like fighting over a piece of driftwood .* > *What makes it work is the two leads. Marvin is all brute force and menace; Mifune is pure intensity and dignity . Neither speaks the other's language, so everything is conveyed through body language, tone, and sheer presence. Boorman's direction is subtle and patient, letting the tension build slowly .* > *But it drags in the middle, and the ending is infuriating. The studio tacked on a stupid explosion that makes no sense, completely undercutting everything that came before . The original ending is much better—quieter, sadder, more honest. Some people will find the whole thing too slow and pretentious. Others will appreciate its stripped-down, allegorical power. I'm somewhere in between.*
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is Lee Marvin the best thing in Hell in the Pacific?”
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“Does the smallness hold it back?”
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“Is the slow pace a feature rather than a flaw?”
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