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Puss in Boots discovers that his passion for adventure has taken its toll: He has burned through eight of his nine lives, leaving him with only one life left. Puss sets out on an epic journey to find the mythical Last Wish and restore his nine lives.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
I loved Shrek 1 and especially Shrek 2. From there the franchise, well, it wasn't bad, but it didn't stay as great. Then came the first Puss in Boots movie, and, and I mean that in no way negative, I couldn't remember ANYTHING of it. Like, until I looked it up again, I couldn't remember who the antagonists were, but that might just be my silly mind. That said, I'm sure I'd like it if I rewatched it now! And then...came this one. A "Shrek spin-off" arriving years after the last great Shrek movie being one of the most impressive animated movies was certainly not something I expected. And most importantly: I will not forget about the antagonists of this one anytime soon! All of them are awesome! But, let's start with the basics: The visuals are, as expected for the studio and year, very nice and impressive. And THEN you have the action scenes. A, at first, strange low-framerate kind of animation style, mix of 2D and 3D styles. In the very first battle this confused me. From then on, once you get used to it, it's an absolutely lovely piece of art and I really grew to love it. And then, well, the characters: Puss was always great since he was introduced in the Shrek movies. He still has
Read the whole review on TMDBA sequel miles better than the (good) original - that's a rarity! Those behind <em>'Puss in Boots: The Last Wish'</em> absolutely smashed it out the park with this one. I had heard murmurs of hype about it so was expecting it to be very good, yet it still managed to surpass my expectations. It features a great story with well utilised characters, of which there are quite a few. Soon after hitting play I wasn't actually sure about the animation, for one Puss himself looked different to how I remember him from <em>'Shrek'</em>. However, those thoughts quickly disappeared because the style is, in fact, gorgeous. You can tell the people making this had heart in it, rather than just milking the IP for another installment. Antonio Banderas remains a joy as Puss in Boots, a character that wouldn't be as memorable without him. Harvey Guillén comes in with a standout showing, I do think Perrito is the least interesting visually but the character (and voice) is what makes the dog a successful addition. John Mulaney (thought it was Zach Braff, ngl) is a positive newbie too. Florence Pugh, Olivia Colman, Ray Winstone and Samson Kayo are also pluses, as are Salma Hayek and Wagner Moura. Evident
Read the whole review on TMDBThis one sort of slipped through the cracks didn't it? I mean, it has a very good, very heartwarming story that helps define a character's growth over the length of the plot. It has a story about hope and sacrifice and struggle. It is a good movie. How does a movie this good get made today? Isn't this sort of the opposite of everything that current Hollywood stands for? Where is the strong female lead replacing Puss in Boots as the hero? Where are the identity politics? Where is the nonstop shaming of Straight White Men? Where is the depiction of half the country as absolute evil? How can they make a western movie that doesn't shame the west at every possible turn? I have absolutely no idea how this could have been made, but what I can say is that it is fantastic, it is moving, it is fun for the whole family and it has a decent nonpolitical message. The main character is heroic. This is just... well, this is a movie that doesn't seem like it could possibly be made in today's Hollywood.
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