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Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
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Epic, meticulous, earnest and classical in form.
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Perhaps not a film you'd expect to work given the stars, but John Wayne and Monty Clift do manage to convey a sense of a repectful, but loving relationship - something I don't recall ever seeing before (or since) in a Wayne film towards another man. Hawks takes us on a dirty, unrelenting cattle drive and we can almost feel the strains and tension build as the younger man rails against the almost brutal control of his father-figure. Walter Brennan, as ever, is superb but in this has a little more nuanced a role treading a fine line between his old friend and their younger protégé. The photography really does demonstrate just how tough the whole enterprise would have been for the real cattle drivers and the denouement is superbly staged. A truly epic example of the Western genre that is as good as it gets.
Read the whole review on TMDBBury those quitters! Tom Dunson is a self made cattle baron, he will do what ever it takes to protect the life he has made for himself. The constant fall in the value of livestock means that Tom, and his adopted son Matthew, must drive the gathered herd through the perilous Chisholm Trail, and then hope to get good value for the beef. With their assembled group of hands they head off North, but many problems will come their way, not least, a fallout due to Dunson's tyrannical ways, meaning there could well be mutiny on the range. Without a shadow of doubt, Red River is one of the greatest Westerns ever made, boasting incredible performances from the cast, directed with sumptuous skill by Howard Hawks and photographed as good as any film in the genre. Based on the novel The Chisholm Trail written by Borden Chase (also co writing duties for the film), Red River is a sweeping spectacle that doesn't have a frame that's wasted. Hawks (this his first Western) frames his wonderfully vivid characters in lush expansive landscapes, fleshing them out amongst the constant stream of drama and action. Though Chase would be annoyed at the changes Hawks made to the story, he surely would have marv
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