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Horror, Science Fiction 83 min NR
Rotten Tomatoes85%Metacritic59IMDb
The creature created by man and forgotten by nature!
Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.
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Bleak, resolved, nostalgic and effortless.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
**_Peter Cushing as the obsessed doctor and Christopher Lee his hideous creation_** This was the first Hammer horror flick in color and its success resulted in a resurgence of the classic Universal monsters reinterpreted from the British perspective with Hammer’s renowned lush colors. Speaking of Universal, the studio threatened a lawsuit if Hammer copied any elements from their classic version. This helped prevent the movie from copping a same-old, same-old vibe. Its popularity led to six sequels. The franchise includes: "The Curse of Frankenstein" (1957), "The Revenge of Frankenstein" (1958), "The Evil of Frankenstein" (1964), "Frankenstein Created Woman" (1967), "Frankenstein Must Be Destroyed" (1969), "The Horror of Frankenstein" (1970) and "Frankenstein and the Monster from Hell" (1973). Cushing played the Baron in each of these except "The Horror of Frankenstein" since it's a remake of this one 13 years later and they needed a much younger actor for the role (they chose Ralph Bates). Unlike that remake, there’s no touch of humor to the proceedings here. This is totally serious Victorian horror with the main story taking place in 1860. Being a loose redo of the original Franke
Read the whole review on TMDBEven if we dared to omit its landmark importance; it's still a terrific movie. The Curse Of Frankenstein is out of Hammer Film Productions and based on the novel Frankenstein, by Mary Shelley. It's directed by Terence Fisher, written by Jimmy Sangster and stars Peter Cushing, Christopher Lee, Hazel Court & Robert Urquhart. Jack Asher is the cinematographer and James Bernard scores the music. The first Hammer film in colour, The Curse Of Frankenstein began the second wave of cinematic horror some 25 odd years after the Universal heyday of the 30s. Where Hammer's version differs from the Universal offerings, who were carefully watching what Hammer were doing, is by focusing on the Baron himself rather than the actual iconic creature. This approach threw many critics and observers at the time, with some either calling it too talky, or worse still, depressing and degrading. But the box office tills rang, both in Britain and America, and now the film is revered by film makers and horror historians alike. Rightly so. Plot basically sees Baron Victor Frankenstein in prison for murder, where faced with the guillotine, he tells to a priest an amazing story of how he and his mentor successfu
Read the whole review on TMDBThis ended up being one of my favourites, both of Hammer Films in general, and of the works of both Sir Peter Cushing and Sir Christopher Lee. It still works cinematically, three generations later, as my 13-year-old son really enjoyed it as well. Though the filmmakers were forced to use other makeup rather than that copyrighted by Universal Studios in James Whale's masterpiece, that isn't problematic in the slightest for your enjoyment of the picture. Worth a purchase and rewatches either for fans of the genre in the slightest, of period pieces in general, or of the Mary Shelley novel. A fine work which is one of the best of director Fisher's career.
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