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Hollywood Never Faced a Zanier Zero Hour!
A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.
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Comic, ironic, cool and relentless.

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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
THE PRODUCERS (1967) - Mel Brooks' first feature film starts with the funniest opening credits sequence I've ever seen - a monetarily motivated rendezvous between a serial Broadway failure and a sexually insatiable octogenarian - and then proceeds to get even more hilarious as it progresses. The fabulous Zero Mostel somehow manages to chew scenery for breakfast, lunch and dinner while never overshadowing any of the other players (whose performances are all also appropriately broad, to be honest). Interestingly, were it not for a little known film by the name of THE GRADUATE (1967) casting while this film was going into production, we would have had Dustin Hoffman as the starry-eyed Nazi playwright. So Dustin went on to fame in another picture; Kenneth Mars ended up with a juicy role in just his second feature film; and Mel got to skewer the Third Reich and win an Academy Award for writing while doing it. Sometimes things just work out.
Read the whole review on TMDB**Greatest of all Time - GOAT - Best comedies.** Easily my number one. This film can be rewatched over and over again - always just as hilarious and timeless.
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“Is this Mel Brooks's best work?”
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“Is Zero Mostel the best thing in The Producers?”
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“Does the irony keep it from meaning anything?”
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33 profiled raters. Loved most by The Prestige Hunters; disliked most by The Sinceres.
If you loved this film, the television, the book, the music, the game.
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