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Rate five things you know, from any shelf. Your archetype shows up in about a minute, and gets sharper with every log.
Drama 121 min R
Rotten Tomatoes87%Metacritic80IMDb
The unwanted will have their day.
13 year old Lili fights to protect her dog Hagen, and is devastated when her father sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to save her dog. Failing in his desperate efforts to find his beloved owner, Hagen joins a canine revolt leading a revolution against their human abusers.
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Overwhelming, prestige, bleak and meticulous.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
> The day when the dogs stopped wagging their tails. This movie was a tricky one, because everyone cannot understand and everyone cannot enjoy it. In this modern world, the computer graphics are easily available to illude the audience, so who would still use the silly old practical trickery in a film making. Must have been the hard work to manage plenty of the dogs during the shooting. But I believe there are hardly any major CGI works other than the bluescreen works. If you get the movie, then that's fine, if not, you may get some ideas through this review. Before proceeding I just want to alert the readers the review might contain some spoilers which is not measured. The Hungary's entry for the last concluded Oscars. The movie talks about a girl Lili in her early teenage, aspiring musician and her mixed breed dog name Hagen. When a circumstance forces them apart, the individual life journey begins for both of them. The girl becomes rebellious towards her father and the dog towards the human society like a piece of iron bar pulled away from the magnet. Will they unite again? Is the rest of the story with the breathtaking second half. This dark fantasy (like dark comedy) film was l
Read the whole review on TMDBWhite God opens with a teenage girl pedalling alone through an emptied-out Budapest while a couple of hundred stray dogs come pouring around the corner behind her, and the film refuses to tell you whether to feel thrilled or terrified. That refusal is the whole point. Kornel Mundruczo takes a small everyday cruelty, a father dumping his daughter's mixed-breed dog Hagen on the roadside to dodge a tax on mongrels, and grows it into a full revolt. Hagen passes through every layer of human failure: the street, the pound, a dogfighting pit, a trainer who beats the gentleness out of him on purpose. By the time he leads the pack back into the city to settle scores, you understand the rage even while you flinch from it. What makes it land is that almost none of this is computer trickery. Roughly 250 real shelter dogs were trained for the shoot, and the two dogs who shared the role of Hagen, Luke and Body, were adopted after filming wrapped. Knowing that quietly rewires how you watch the stampede down the boulevard. These are not pixels, they are animals carrying a story most films would hand to a stunt team and a render farm. It is not a comfortable watch and it should not be. The fighting
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