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Would you keep your mouth shut if you were Nora Prentiss?
Quiet, organised Dr. Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings, they become heavily involved, and Talbot finds himself faced with the choice of leaving Nora or divorcing his wife. When a patient expires in his office, a third option seems to present itself.
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Spare, bleak, plot-driven and intimate.
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The Man Who Died Twice. Nora Prentiss is directed by Vincent Sherman and collectively written by N. Richard Nash, Paul Webster and Jack Sobell. It stars Kent Smith, Ann Sheridan, Bruce Bennett, Robert Alda and Rosemary DeCamp. Music is by Franz Waxman and cinematography by James Wong Howe. Dr. Richard Talbot (Smith) is fed up of his dull family life. So when pretty nightclub singer Nora Prentiss (Sheridan) calls on him for treatment to a minor injury – his head – and his life – is turned drastically. What did he do? What was he hiding? One of film noir’s devilish delights is that of a filmic entry that finds a protagonist in a fantastical situation. Think of Dark Passage where Bogart has plastic surgery to alter his looks, or The Big Clock which sees Milland investigating himself for a crime! The suitcase/cannister plot devices of Kiss Me Deadly and City of Fear, the identity swap madness of Hollow Triumph, and on it goes, the more bonkers the plot scenario is in noir, the more fun the enjoyment can be. And so enter Nora Prentiss, often tagged a woman’s melodrama, it’s most assuredly a crafty piece of noirville that hinges on a quite superb and fantastical twist of fate come the fi
Read the whole review on TMDBDr. Richard Talbot is bored with his hum drum life. His life has become routine. He shows up for work at the same time every day then heads home at six o'clock to a passionless wife and two kids. His life is forever changed when he treats a sexy night club singer after hours at his downtown office. First becoming friends, the couple quickly start an affair which eventually leads the previously up-tight Talbot to fake his own death and run off with the woman. Every move Talbot (played by Kent Smith who almost tops his performance is the noir/horror classic Cat People) makes following his decision to run off with Nora just gets him in more trouble. Ann Sheridan playing Nora isn't a femme fatale like you'd expect. Turns out she's the level headed one who tries to stop Talbot from acting like such a chump. Unfortunately, he doesn't listen to her and becomes a mess eventually attacking romantic rival Robert Alda in a drunken rage then leading cops on a high speed chase that ends badly. According to Film Noir: An Encyclopedic Reference to the American Style, Nora Prentiss is the ultimate “woman's noir”. Other films of this type – such as Joan Crawford's Flamingo Road and The Damned Don't
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