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Animation, Drama, Family, Adventure 102 min G
Rotten Tomatoes70%Metacritic59IMDb
It's not over until lightning strikes.
Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen finds himself pushed to the brink—and suddenly, the champion who once ruled the track is fighting just to stay in the race. With his career hanging in the balance, McQueen must turn to an ambitious young race technician with a plan of her own, draw strength from the legacy of the late Fabulous Hudson Hornet, and risk everything on one last shot at glory.
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Resolved, effortless, unpretentious and classical in form.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Hmmm! This outing for the now well past his best "Lightning McQueen" reverts back more to the first film, only by now we are all maybe just a bit tired with the formula? The shiny red champion is having to face the reality that technology and engineering have evolved since 2006 and he is simply no longer the best. Of course, he's not going to give up and with the "Piston Cup" looming, he determines to recover from what looked like a career ending crash. To that end, he coaxes up-and-coming engineer "Cruz" and his own motivator "Smokey" - who worked with the legendary "Hudson Hornet". He needs discipline, he needs to re-learn all he knew, he needs to listen - if he is to seriously challenge the all-conquering "Jackson Storm". There are a few nice touches to this, but essentially it's a rehash with a little too much cheesy sentiment and I found the musical numbers just a bit more intrusive, too. There's also a little more pontificating here. The script exudes loads of virtues but rather more in your face than by using the humour and personalities to illustrate loyalty, affection and dedication. There's still plenty of lively action animation and it doesn't hang about, but for me this
Read the whole review on TMDB**The end of a franchise that was never really worth our interest.** I never really wanted to see the “Cars” movies. As I said before, I was already an adult when they appeared, and I particularly felt the almost invasive force of the propaganda machine that, by all means, tried to foist the film on us, almost in the same way that Jehovah's Witnesses go to people's homes to sell their perspective of religion. “Cars” was everywhere, and the merchandising involved was a billion-dollar business in itself. Therefore, I preferred not to see them. I don't like to feel that things are being forced on me. I saw this film, the last of the trilogy, right now. Comparing this film to the first in the franchise could be considered an honest effort. The two films are quite similar, although the first has an ascendant, due to its novelty. As for the script and the story itself, both are complete clichés: if one talks about the success of a novice “outsider”, full of nobility and desire to win, the third film already shows us that everything has an end, and that there is to know how to leave the scene and give way to others in an honorable and dignified way. It is the eternal question of the passa
Read the whole review on TMDBI agree <em>'Cars 3'</em> improves upon <em>'Cars 2'</em>, not by much though. The story for this does feel more rounded than the preceding film, even if it ends rather lamely. The whole production builds up around Lightning McQueen, rightly, before strangely having a conclusion that focuses on newbie Cruz Ramirez. I like the idea of what they were going for, but the way the do it is actually quite poor - it feels too forced, as well as chucking most of the development for McQueen across acts one and two out the window. With that said, it isn't a massive hindrance. I still had a fun time with this. Owen Wilson remains good as McQueen, while Cristela Alonzo gives an accomplished performance as Ramirez. One thing I do rate about Alonzo is that Disney didn't go down the obvious, lovey-dovey route with her. None of the rest of the cast standout all that much, though it's cool to hear Kerry Washington as Natalie Certain. Mater (Larry the Cable Guy) is arguably underused, which is weird as he is overused in the 2011 sequel - they don't seem to know how to fit him in ideally. The overall premise itself is interesting, while the animation remains in top gear. The ending doesn't fit perfect
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
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“Does Cristela Alonzo steal Cars 3 from Owen Wilson?”
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