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A time without pity. A society without mercy. A love without equal.
In late 19th-century England, Jude aspires to be an academic, but is hobbled by his blue-collar background. Instead, he works as a stonemason and is trapped in an unloving marriage to a farmer's daughter named Arabella. But when his wife leaves him, Jude sees an opportunity to improve himself. He moves to the city and begins an affair with his married cousin, Sue, courting tragedy every step of the way.
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Prestige, overwhelming, bleak and contemplative.
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Set amidst a very much class-ridden Britain, the eponymous aspiring stone mason (Christopher Eccleston) has settled down to marriage with "Arabella" (Rachel Griffiths) but dreams of escaping his life of physical labours and entering university. That opportunity might just come his way when she leaves him and he heads to the town where his cousins "Sue" (Kate Winslet) lives. She's a bit of a firebrand and despite their relationship they begin, well, a relationship. He isn't entirely honest with her, though, and when she discovers that he is still married, albeit estranged, she reacts in a fashion that can only hurt them both. To add to their woes, society still takes a very dim view of the unmarried and even when they try to reconcile, any attempt at happiness seems constantly under threat as they struggle to find somewhere to live and look after three young children. These struggles are as nothing though when a ghastly tragedy strikes and the pair are torn asunder with their relationship stripped to the bone and from which recovery might never be possible, however strong their love. Can anything be salvaged from this ghastly scenario? I am afraid that I've always found Eccleston to
Read the whole review on TMDBWell over one hundred years ago, Thomas Hardy experienced critical backlash against his novel "Jude the Obscure" and never wrote another novel. This film version is also controversial, but definitely worth a look. This stars Christopher Eccleston in the title role as a stonemason who yearns for higher learning and a better life. Eccleston's portrayal of Jude is excellent in that he is no Hollywood pretty boy. His ears are too big and his face sallow, but his expressions and gaunt look help his performance immensely, especially in the latter half of the film. Too bad the audience is left in the dark about what exactly makes his character tick. Jude's cousin, Sue, is played by Kate Winslet. She brings a professionalism to her role that almost overshadows Eccleston. Every nuance of her work here does not seem calculated, but very natural. Jude's wife, Arabella, who leaves him, but keeps popping back into his life over and over again, is played by Rachel Griffiths. Her character is a major flaw in the film. Gothicism was fading in the time this novel was written; readers were experiencing more realistic situations in novels by the likes of Charles Dickens, or fantastic situations in no
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