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A woman's dangerous and erotic journey...
An American couple drift toward emptiness in postwar North Africa.
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Prestige, contemplative, character-led and open-ended.
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When “Kit” (Debra Winger) and her husband “Port” (John Malkovich) realise that their relationship is running out of steam, they decide to head into the Moroccan desert and rejuvenate their lives. Things don’t quite get off to the start he’d want though as he quickly finds himself in an erotic knocking shop complete with noisy chickens whilst befriended by the rather sexually ambiguous and sweaty “Eric” (Timothy Spall) and his frugal mother (Jill Bennett). They have their uses, though, as his wife and their friend “George” (Campbell Scott) have headed into the interior and he wants to pursue. It’s upon this journey that we realise, through some narration, that nobody here has ever been especially honest with the other and that any solution that may emerge here will be, at best, an hybrid of what they wanted/expected or even dreamt. Though both Winger and Malkovich take the lead here, and deliver competently, I found it was actually the supporting cast that worked better at illustrating the toxicity of this scenario. Spall, especially, but also the native tribespeople who take part and who viscerally illustrate the contrast between our two amidst marital turbulence and societies that
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