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Mystery, Romance, Thriller 130 min NR
"Last night I dreamt I went to Manderley again..."
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
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Meticulous, intimate, bleak and overwhelming.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
**One of the greatest films of Hitchcock's career.** Alfred Hitchcock was truly a master, and there are not many directors who can present a CV so vast, so rich and so deserving of acclaim. Ironically, he did not win a single Oscar for his work as a director and even this film, which was one of the most awarded in his work, only won two Oscars (Best Film and Best Black-and-White Cinematography) at the 1941 ceremony. The film was produced by David O. Selznick through his own studio, which was then busy completing and releasing “Gone With the Wind”. He had acquired the film rights to the original novel, by Daphne du Maurier, and hoped that Hitchcock would be faithful to the material. He reluctantly agreed, but imposed his deeply detailed working methods, significantly delaying filming, which was just one of the points of friction between producer and director. Things got to the point where Hitchcock banned Selznick from “his” studio and prevented his interference, filming only what he thought he was going to use in order to restrict the final cut. It goes without saying, I believe, that Hitchcock gave us another memorable work worthy of every cinephile's bookshelf. The cinematography
Read the whole review on TMDBDo you think the dead come back and watch the living? Rebecca is directed by Alfred Hitchcock and adapted to screen play from the Daphne du Maurier novel of the same name. It stars Laurence Olvier, Joan Fontaine and Judith Anderson. Cinematography is by George Barnes and music scored by Franz Waxman. After meeting and marrying 'Maxim' de Winter (Olivier), the Second Mrs. de Winter (Fontaine), finds life at his English estate, Manderley, far from comfortable because the servants and the house serve to remind her of the first Mrs. de Winter, whose death remains a source of mystery. What did happen to the first lady of the house? Can this newly married couple survive the oppressive cloud that looms large over the mansion? A Gothic emotional near masterpiece, Alfred Hitchcock's first American film may seem a bit too serviceable at times, something he was also aware of himself, but the production values are high and the story is played out supremely well. Within the story we can find Hitchcock's now famous trait of mistrusting Women, but in the main it stays the tragic tale of one young woman living in the ominous shadow of the previous Mrs. De Winter. Mood is often set as foreboding, w
Read the whole review on TMDBAbsolutely perfect Gothic Thriller that has many imitators but few of equal quality. With "Rebecca" about to hit the Broadway stage (as a musical!), I thought it was time to write my review of perhaps my favorite Hitchcock film. I recall the first time I saw this on TV almost 30 years ago on the late show, I had set my VCR to tape it, but woke up to start watching a bit of it, and stayed up all night to watch it all. That's how good a film it is. Daphne Du Maurier's tale of a shy companion who shocks her employer by winning the most desired wealthy widow in England is gripping, suspenseful, and filled with innuendo. Joan Fontaine never gave a more lovely performance as the awkward bride who leaves her hysterically selfish employer (Florence Bates) to marry the brooding Maxim De Winter (Laurence Olivier) and finds animosity from the darkly dressed Mrs. Danver (Judith Anderson) who resents her intrusion because of her devotion to Maxim's late wife, Rebecca. The mystery of how Rebecca died and what kind of woman she really was is explored, and with the intrusion of scoundrel George Sanders and some well-meaning advice from Maxim's toothy sister (Gladys Cooper), the new Mrs. De Winter
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“Is this Alfred Hitchcock's best work?”
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18 profiled raters. Loved most by The Provocateurs; disliked most by The Prestige Hunters.
If you loved this film, the television, the book, the music, the game.
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