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Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.
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Prestige, character-led, contemplative and meticulous.
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Does anyone remember when Channel 4 (in the UK) had their Friday night red triangle zone of late night adult films that would probably have been X-certificate but that were available free-to-air? I think this is probably the only one of those I still recall as it memorably challenges just about every stereotype in the dictionary. The elderly and widowed “Emmi” (Brigitte Mara) meets the handsome and younger “Ali” (El Hedi Ben Salem) who has come to Germany from Morocco to work. He only has limited German, but with the help of a thunderstorm and some brandy, the pair can make themselves understood and are soon an item. They marry. They are happy. Her neighbours, her family, his friends? Well they are not so understanding and are soon gossiping about and shunning the pair. Her daughter describes their love as “filth” and almost as quickly as they fell for each other, they have to deal with the pressures of an unforgiving society that disapproved of the gaps in their age and their status. With both having to deal with this increasingly toxic scenario in their own way, you have to wonder if they can have any future? Both Mira and ben Salem work well together here to create something vul
Read the whole review on TMDBThe original title of Rainer Werner Fassbinder's 1974 film "Fear Eats the Soul" is deliberately ungrammatical German: ANGST ESSEN SEELE AUF "Fear Eat Soul". That is due to one of the two protagonists we meet: Ali (El Hedi ben Salem) is a Moroccan immigrant working in Munich. He toils as a car repairman and has learned some very basic German, but he has been hindered from assimilating to German and fully learning the language by both lack of time and a German society that deliberately keep his kind at arm's length. But one night at a pub, he meets by chance Emmi (Brigitte Mira) a 60-something widow. They dance and Emmi falls in love with this tall, dark, and handsome stranger who makes her feel feelings again after so many years. Ali's own thoughts and motivations remain more mysterious, but he too seems to have been wracked with loneliness, and he recognizes in this woman two decades his senior a soulmate. The result is initially a very idiosyncratic romantic comedy. Sadly, as an opening title of the film reads, "Happiness is not always happy". The flip side of this couple's burgeoning love is the suspicion, jealousy, fear, and hatred that Emmi and Ali encounter from the citizens a
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