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Drama, Comedy 131 min NR
Rotten Tomatoes88%Metacritic85IMDb
When unbalance leads to submission
An unemployed Brit vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.
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Prestige, bleak, overwhelming and character-led.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Yikes, but this is a depressingly bleak story. David Thewlis is a rather dissolute and violent Mancunian who arrives in London with nowhere to stay. "Johnny" makes his way to the home of his ex "Louise" (Lesley Sharp). They briefly hook up again, but he soon tires of what he can get on a plate and sets off back onto the streets for a series of encounters with the nocturnal types who inhabit the city and provide us with a series of quirky short stories. Whilst "Johnny" is out philandering, "Louise" and her flatmate "Sophie" (Catrin Cartlidge) are being bullied by their landlord - the sadistic "Jeremy" (Greg Crutwell) who takes sexual brutality to an whole new level. In the end, the streets take their revenge on "Johnny" and he must return to her home where things finally come to some sort of an head. It's got something of the observational documentary to it this. The style of photography allies well with the angry (and ripe) but sometimes quite potent dialogue to create a cast of characters that vacillate between the obnoxious and the needy, the violent and even the loving - in a perverse sort of fashion. Thewlis is on great form, as is the rather unpleasant Cruttwell who spends muc
Read the whole review on TMDB**Unpleasant and uncomfortable, often highly appreciated by critics, it is understandably forgotten by the public.** Mike Leigh directs with skill and intelligence a film that is far from pleasing everyone and that doesn't mind being uncomfortable: it tells the story of a man who hides in an ex-girlfriend's house to avoid being prosecuted for rape, and which we will follow through various adventures and dialogues that oscillate between nihilism, the “nonsense” and the deeply philosophical. He's an unpleasant man with somewhat sadistic touches, but the film is full of unpleasant characters in a dark story. The film was a considerable success among critics, winning major awards at Cannes and being nominated for a BAFTA, but it is one of those films that is so philosophical and perverse that I can understand why it is so forgotten. The film's greatest strength, for me, is the enormous performance of David Thewlis, one of the most competent and consistent British actors, a veteran with a career worthy of envy and who has already shone in a multitude of projects, but who has not been particularly noted or esteemed as he deserves. I don't dare say this is his best film, but it's clearly
Read the whole review on TMDBMike Leigh's 1993 film NAKED is a drama on sexual relations -- how men hurt women, how some women accept that hurt out of low self-esteem and a desire to be wanted or supported. It is distinguished by its remarkably lifelike characters. Most of the film was worked out in improvisations for several months before shooting began. Leigh wanted his actors to create elaborate back stories for their characters, fully living inside of them so that when the cameras started rolling they would be completely convincing. As the film opens, Johnny (David Thewlis) has to flee Manchester after a sexual encounter with a married woman turns into rape and she threatens to set her husband after him. Stealing a car, he heads to London to crash at his ex-girlfriend Louise (Lesley Sharp), gets involved with her flatmate Sophie (Katrin Cartlidge), and spends a couple of nights homeless in London. Interspliced with this are scenes of Jeremy, a rich real estate broker whose sexual conquests serve as an upper-class counterpart to Johnny's own. Naturally the viewer is led to wonder what will happen when these two men meet. Something is wrong with Johnny, he answers anything said to him with a rambling torrent
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