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Saving the world never goes out of style.
At the height of the Cold War, a mysterious criminal organization plans to use nuclear weapons and technology to upset the fragile balance of power between the United States and Soviet Union. CIA agent Napoleon Solo and KGB agent Illya Kuryakin are forced to put aside their hostilities and work together to stop the evildoers in their tracks. The duo's only lead is the daughter of a missing German scientist, whom they must find soon to prevent a global catastrophe.
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Epic, resolved, unpretentious and nostalgic.

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Guy Ritchie’s big-screen rendering of the 1960s television series tries hard not to be a museum piece, partly with a slick, agitated style.
Data provided by The New York Times.
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Companions we picked from the closest works, and how to take them.
Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is the nostalgia doing the heavy lifting?”
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“Is it better than the original?”
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“Is Henry Cavill the best thing in The Man from U.N.C.L.E.?”
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18 profiled raters. Loved most by The Genre Devotees; disliked most by The Comfort Seekers.
If you loved this film, the television, the book, the music, the game.
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