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Love makes monsters of us all.
In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds… and remembers.
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Intimate, nostalgic, meticulous and bleak.
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Jane Eyre meets House of Usher with ghosts of the past RELEASED IN 2015 and written & directed by Guillermo del Toro, "Crimson Peak” is a Gothic drama/mystery/horror about a young woman (Mia Wasikowska) in the opening years of the 1900s who falls in love with a mysterious English man (Tom Hiddleston) and moves from Buffalo, NY, to a creepy English manor, where his weird older sister also lives (Jessica Chastain). Ghosts of the past make themselves known, ultimately leading to the truth. Aside from Jane Eyre and House of Usher, both of which have been filmed several times, “Crimson Peak” has similarities to haunting Gothic flicks like “Bram Stoker’s Dracula” (1992), “The Others” (2001) and “Mary Shelley’s Frankenstein” (1994), but it’s thankfully nowhere near as ridiculously melodramatic as the latter. The spectral horror is more low-key than “Dracula” and “Frankenstein,” which is why I cite “The Others.” Psychological Gothic horror like “Demons of the Mind” (1972) and “The Eternal” (1998) are other comparisons. If you’re in the mood for a movie like these, you’ll probably appreciate “Crimson Peak.” Honestly, this is one of the most sumptuously LOOKING movies I’ve ever seen. Take, f
Read the whole review on TMDB> Ghosts are real, that much she knows. Seen all the Del Toro films, but this one was not any good compared to his recent year's class. The film has his signature mark, the gothic style atmosphere, visually spectacular, but the story did not strike as expected. Definitely my blame is on the writing department. Though the actors were so much better in their character exhibition, especially the lead trio. The opening convinced it will going to be a terrifying horror. Seriously? The writer brought ghosts for a concept, but ended penning a fantasy-thriller. In the middle of the narration there was too much drama that dragged the story. And in the third act it turned totally into a killer-thriller. It should have been more frightening, they wanted it to be a faulty human nature kind of twist than supernatural things. Well, they gave what they wanted, not what we the audience looking for. I did not completely disliked the movie, I enjoyed it other than its plot. The costumes were very nice, the music well blended with the screenplay, but I was disappointed with the reason given as the motivation for all the trouble faced by character Edith. After all the hype, what it revealed was too li
Read the whole review on TMDBThe feasting of the eyes comes to mind when realizing the polished opulence of writer-director Guillermo del Toro’s Gothic supernatural production Crimson Peak. Undeniably luscious and wonderfully bizarre, Crimson Peak is a psycho-sexual thriller that resonates with the enticing visual senses and registers with the proper amount of off-kilter seduction and twisted charm. For filmmaker del Toro his unconventional narratives have always been peppered in exquisite bounciness regardless of their hit-or-miss effectiveness. In joining past del Toro genre-ridden offerings that range from the revered cult-like stimulation of Pan’s Labyrinth to the misplaced but eye-popping stiffs such as Blade II and Pacific Rim it is safe to declare Crimson Peak as another elegant and gaudy candy-coated canvas of del Toro’s imaginative cinematic vision. Aesthetically stunning and armed with a sophisticated lining of suspense, Crimson Peak does not necessarily exude any real momentum of toxic scares or memorable chills. Still, it manages to rely on its Gothic-induced romanticism that is enough to accept this splashy and offbeat vehicle on the merits of its unique brand of animated style. Sure, there are di
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If you loved this film, the television, the book, the music, the game.
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