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Drama, Thriller, Mystery 130 min R
Rotten Tomatoes74%Metacritic54IMDb
Who, in the name of God, is getting away with murder?
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.
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Contemplative, meticulous, bleak and plot-driven.
18 profiled raters. Loved most by The Prestige Hunters; disliked most by The Provocateurs.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
## **The Name of the Rose (1986) Review: A Perfect, Pitch-Black Gothic Masterpiece** Jean-Jacques Annaud's *The Name of the Rose* is not merely a film; it is an atmosphere, a puzzle box, a philosophical war waged in the shadowy corridors of a decaying abbey. It is a perfect alchemy of intellectual thriller and gothic horror, and decades after its release, it remains an untouchable classic—a film that earns every minute of its runtime and deserves nothing less than a perfect score. ### A Labyrinth of Stone and Sin The premise is deceptively simple: the year is 1327. Franciscan monk William of Baskerville (Sean Connery) and his novice Adso (a young Christian Slater) arrive at a remote Benedictine abbey for a theological disputation. Instead, they find a series of gruesome, inexplicable deaths that the superstitious monks believe are the work of the Devil. William, a man of reason and logic far ahead of his time, must use his deductive powers to uncover the truth before the Inquisition arrives to burn it—and anyone nearby—at the stake. The abbey itself is the first great character of the film. A monolithic, claustrophobic maze of staircases, scriptoriums, and shadowy recesses, it is a
Read the whole review on TMDBRecently I saw a restored version of "The Black Pirate" - made in 1926 and that was in far better condition that the print I saw of this 1986 iteration of the cracking Umberto Eco novel. Set amidst the fear that beset the Christian world during the Holy Inquisition, we find ourselves at a remote abbey run by Michael Lonsdale. There is to be a gathering to facilitate a theological debate between the Franciscans and the Vatican. To that end, "William of Baskerville" (Sean Connery) and his novice "Adso" (Christian Slater) have travelled to this rather bleak location. Their arrival is tainted with sadness and mystery, though: a young monk has mysteriously died. "Baskerville" asks permission to look into it and is soon inveigled in a complex investigation that is proving distinctly perilous for almost all at this abbey. What is the secret? Can they deduce that before the arrival of the dreaded "Bernardo Gui" (F. Murray Abraham), the powerful instrument of the church who thinks nothing of burnings at the stake? This is a great story of medieval intrigue that is well enhanced here by a strong supporting cast - notably an almost unrecognisable Ron Perlman as "Salvatore"; Feodor Chaliapin J
Read the whole review on TMDB**_Murder mystery at a gloomy abbey during the Dark Ages with Sean Connery_** In 1327, a Franciscan monk and his pupil (Connery and Christian Slater) arrive at a monastery in northern Italy to attend an important theological Roman Church conference. When monks are found dead in mysterious ways, William (Connery) winds up being the Medieval version of Sherlock Holmes. While he seems to figure the mystery out due to the evidence, a mirthless inquisitor is called in and sees things differently (F. Murray Abraham). Ron Perlman plays a hunchback and Michael Lonsdale the Abbot. Based on Umberto Eco’s 1980 book, “The Name of the Rose” (1986) is outstanding as far as locations, sets, costumes and make-up go. Anyone interested in a shadowy drama with the dreary Gothic ambiance of the Middle Ages, this is the film to see. It’s helped by Connery’s towering performance, marked by his nonchalant confidence. Slater is also excellent as the inquisitive novice. Meanwhile Valentina Vargas as the feral peasant girl is yet another highlight (there’s some nudity, just a heads up). The murder mystery is decent enough and there are interesting theological debates, but this is mostly a commentary on the
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