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Action, Crime, Comedy 97 min PG
Rotten Tomatoes22%Metacritic39IMDb
When a hotshot cop and a wise-guy detective get together... the heat is on!
Set in Kansas City in 1933, Eastwood plays a police lieutenant known simply by his last name, Speer. Reynolds plays a former cop turned private eye named Mike Murphy. Both Speer and Murphy served on the force together and were once good friends, but are now bitter enemies. When Murphy's partner is slain they team up again to fight the mob.
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Resolved, effortless, unpretentious and cool.
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Written by TMDB members; each links to the original. Not part of Taste Buds's numbers.
Shocking what Prohibition causes some people to drink these days. The weight of expectation for City Heat was massive, two iconic Hollywood actors together in a buddy buddy cop movie, one with nods and homages to film noir and old school gangster movies, it wasn't unreasonable to expect a movie to sit with the best on Clint Eastwood and Burt Reynold's then CV's circa 1984. Unfortunately it's no masterpiece or close to being in the upper echelon's of each actor's respective works. But that doesn't make it a bad film. A change of director saw Blake Edwards replaced by Richard Benjamin after Eastwood and Edwards, ahem, couldn't see eye to eye, so that immediately put the film on the back foot in many critic's eyes. Ironically Benjamin does OK - working from Edwards' script (there's a whole bunch of back stories and tittle-tattle assigned to this film if you care to search for it). Lots of fun here, though, as Clint and Burt, one a cop, the other an ex-cop turned PI, reluctantly team up to cut a swathe through the gangsters ruling the roost in prohibition era Kansas City. Eastwood does his straight backed machismo act, throwing awesome punches along the way, while Reynolds is wonderful
Read the whole review on TMDBClint Eastwood carries it, but <em>'City Heat'</em> as a whole is just about good. Burt Reynolds makes for a solid partner for Eastwood, though his character isn't as strong as the latter's - who is played by the film's standout, no doubt. There's not any star performers behind those two, though Richard Roundtree and Rip Torn are alright. One positive, though, is the 1930s set design, which I really liked. Not the most memorable flick, you could say it ought to be due to the double act up top, but I still found it to be a satisfactory watch.
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