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Gilsenan’s latest work is a non-narrative film, inspired by a new translation of the seminal Japanese poet Matsuo Bashō by the Irish translator, poet and scholar Andrew Fitzsimons. It is – in equal parts – a journey through contemporary Japan, a cinematic act of psycho-geography, a meditation on the devastating impact of climate change and a profound reflection on the meaning of ‘home’ in today’s uneasy global world.
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Character-led, prestige, contemplative and open-ended.
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Closest on the same fourteen dimensions, from everything scored on Taste Buds. Other media included when they land close.
Recommendations from TMDB. Opening one adds it to Taste Buds
Answer first; then see how everyone, and your circle, split.
“Is the ambiguity a cop-out?”
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“Is The Journey of Weather-Exposed Bones prestige bait?”
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“Is The Journey of Weather-Exposed Bones too earnest?”
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