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Stingo, a young writer, moves to Brooklyn in 1947 to begin work on his first novel. As he becomes friendly with Sophie and her lover Nathan, he learns that she is a Holocaust survivor. Flashbacks reveal her harrowing story, from pre-war prosperity to Auschwitz. In the present, Sophie and Nathan's relationship increasingly unravels as Stingo grows closer to Sophie and Nathan's fragile mental state becomes ever more apparent.
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Overwhelming, prestige, bleak and demanding.
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Not long after the end of WWII, we meet "Stingo" (Peter MacNicol) who isn't exactly impressed when he encounters his new upstairs neighbours. "Nathan" (Kevin Kline) seems to be a bit of an noisy and brutish oaf towards his girlfriend "Sophie" (Meryl Streep). Luckily, next morning peace has broken out and they climb in his window to invite him on a seaside picnic. He's a budding writer, and what he clocks quite early is the volatility of "Nathan", a Jewish man who seems to have a great deal of emotional baggage. She, on the other hand, is much more considered and sedate - and that's the shield that he is determined to penetrate. Once he does and she begins to open up to him, we discover that she is an holocaust survivor and has had to make some horrendous decisions in her life just to stay alive. It's this latter, intimate and frightening, stage of the film that really showcases Streep's abilities to convey a palpable sense of fear. Sure, the accent isn't maybe the best but the scenes in the camp, the terrors and the anachronism of the commandant's relatively luxury home and happy family - where she ends up working in domestic service - being only yards from the scene of such brutal
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